Perhaps some styles of painting are more sensitive to cropping than others --
with Hofmann's at one extreme -- since the rectangular edges of his canvases
are repeatedly echoed by the rectangles painted  within them.

William suggests that some special visual skill is necessary to discern the
differences (he's got it -- I don't)-- but there's no need to  speculate about
that skill -- it can be tested!

It could one more exercise in my "Miller test" for aesthetic discernment:

*take the jpg image of a painting and use various computer tools to expand and
shrink it's borders -- then ask the viewer to identify the original from 5 or
6 alternatives.



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