Just in visiting William's own gallery, we can find several examples of non-representational painting where the precise location of the edges is not as important as it is in the works of Hofmann or Conger:
http://www.royboydgallery.com/Gonzalez/Gonzalez.htm http://www.royboydgallery.com/Lackey/Lackey.htm http://www.royboydgallery.com/Riesebrodt/Riesebrodt.htm http://www.royboydgallery.com/VanWieren/VanWieren.htm Sometimes edges are very important -- sometimes they're not. Same thing with chapter divisions in a book. Sometimes they each frame a specific episode of a story -- and sometimes they just seem to be whatever the writer could complete in one sitting, so they seem to begin and end in midstream. And here's a contemporary Chinese painting (Liu Xiaodong) that has 24 edges - 4 for each panel, plus 4 more for the entire piece: http://2.bp.blogspot.com/_u_KW4nuKg9k/SOf5t3rVy6I/AAAAAAAAGE4/xbjESBgxWJo/s16 00-h/paintingfull.jpg (I really liked it - but I don't think the precise locations of the edges were that important to him either) ____________________________________________________________ Cheap Diet Help Tips. Click here. http://thirdpartyoffers.netzero.net/TGL2231/fc/Ioyw6ijnC3ox1MzhLST4PCUrotR6v3 KCxWN67cGEhJ0YAT2FZJbNmk/
