I didn't initially respond to the exchange below because I assumed when
William said he found some criticism "aesthetically interesting" he did not
have in
mind what I did when I mentioned "occasioning an aesthetic experience".   To
answer Chris's question, No -- I have never derived an "aesthetic experience"
from a critic's commentary, though I've certainly found much of it
interesting.


In a message dated 10/10/08 9:35:12 AM, [EMAIL PROTECTED] writes:


> William is not disagreeing with Cheerskeep --  he is just reporting that he
> has found some "criticism to be as worthwhile aesthetically as experiencing
> artworks directly."
>
> Which is also an interesting fact -- and also leads me to wonder whether
> anyone else might say the same.
>
> So -- let's put both questions on the table.
>
> 1.  Has expert advice ever caused you to derive an aesthetic experience from
> a
> work that did not occasion it before ?
>
> 2.  Have you ever found ever found criticism to be as worthwhile
> aesthetically
> as experiencing artworks directly?
>
>
> And regarding that second question -- I would have to answer "yes"
>
> Not that criticism has ever been as worthwhile aesthetically to me as my
> favorite works have been -- but I have often found it as worthwhile -- or
> even
> more so ----than the works to which it refers.  (as when a sharp reviewer
> trashes a movie that I found dull -- or when a literary critic is writing
> about poetry written in a language I can't read.)
>
>
>
> My response is I disagree with Cheerskep's proclamation.  I find reading
> good
> literature and criticism to be as worthwhile aesthetically as experiencing
> artworks directly.  Camille Paglia's criticism of Emily Dickinson is one
> example.  I chose that example because I can't be accused of liking just
> what
> is similar to my own aesthetic and because I'm interested in what Cheerskep
> thinks of the critiques of Dickinson, his favorite "cherishable" poet.
>


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