In a message dated 4/7/09 2:42:56 PM, [email protected] writes:

> Notice how, in the description of the peasant shoes, Heidegger includes a
> reference to the earth to
> which the shoes belong, and the world of the peasant woman in which they
> are
> "protected".   This
> distinction will play a central role in Heidegger's discussion of art.
>

Very difficult to establish a protected environment   for many subects of
painting-what is the thingliness of MArat's assination and in what
environment was it meant to be protected? Will this apply to "Metropolis",
also a work
of art? What about that urinal?
Kate Sullivan


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