If art is "truth setting itself to work" (as Heidegger tells us), then the
many times that one culture has appropriated the sacred text of another  would
qualify as an examples of civilizations "that take the religious artifacts and
practices  of others and turn them into art".

So would the  Buddhist devotional figures that traveled from India to China to
Korea to Japan -- and sacred Hindu temple songs that were  adopted by
Arab/Persian  musicians serving the Mughal court.

And so, I speculate, would William Conger's collection of Native American
artifacts.

Does that collection merely  reflect  his "egocentric desire to believe itself
to be universal" ?

Why don't we ask him?


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