Did Edith Stein ever apply her notion of empathy to art or aesthetics?

Of the three writers we've been discussing, I doubt that any of them, other
than Lipps, set their notion of empathy within a complete survey of human
psychology. Worringer  was trying to develop a principle of art history, while
Lee was just making artsy chatter.

If you agree with  St. Edith, Boris, could you give us an example of when "the
use of one's mental powers" cannot be "reduced to a mere mode of feeling?

>Husserl's student Edith Stein described Einfuhlung (empathy) as a blind mode
of knowledge that reaches the experience of the other without possessing it.
Einfuhlung is not the same as Verstehen or human understanding, which,
as Dilthey pointed out, requires the use of  one's mental powers, and cannot
be reduced to a mere mode of feeling. To understand is not to apprehend
something empathetically. Whereas understanding is reflective, empathy is
prereflective.


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