>But I'll add that much confusion exists about contemporary art
because it aims to be outside the familiar.  WC

Which would remove the possibility of empathy, as Lee, Lipps, and Worringer
understood it, dependent as it is upon "the stored up, averaged, and essential
modes of our activity" so that "the object is myself and this self of mine is
the object".


How would you define 'empathy' when you assert that "it's not the majority
case that contemporary art is antagonistic to empathy"?

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