"although if they actually began to paint orthodox icons, they could no
longer call themselves Modern artists"
You may want to have a look at the work of Adam Neate

http://www.elmslesters.co.uk/index.php?pid=13&subid=26

http://www.artnet.com/ag/fulltextsearch.asp?searchstring=Adam+Neate

He has done some work that focuses on this.

On Mon, Aug 17, 2009 at 9:04 AM, Chris Miller <[email protected]>wrote:

> "Art is inextricably tied to man's survival - not to his physical survival
> -
> but to that on which his physical survival depends: to the preservation and
> survival of his consciousness"
>
>
> This is one of Rand's notions that Sciabarra ("Ayn Rand: The Russian
> Radical")
> would probably source to Nikolai Lossky and the distinctly  Russian
> conflation
> of intense spirituality with scientific explanation - as also reflected by
> Stalin's notion of the writer as the "engineer of the human soul"
>
> So it's no surprise that is shared by Boris, who comes from a Russian
> education, and is  still attached to the visual expression of the Russian
> avant garde of that period.
>
> And so am I -- not as an artist -- but as an aesthete who enjoys it, and
> who
> may be the only non-Ukrainian to regularly visits the Ukrainian Institute
> of
> Modern Art here in Chicago.
>
> But I do notice that  a more religious, i.e. Orthodox Christian, expression
> of
> spirituality seems ever closer to emerging from the work of the living
> exponents of that tradition.  (although if they actually began to paint
> orthodox icons, they could no longer call themselves Modern artists)
>
> My problem with it is that there is no way to prove or disprove that  "Art
> is
> inextricably tied to man's survival"  (so as science, it fails) -- and
> within
> a critical discussion of art, it's a conversation stopper.  Have you ever
> tried to account for  the survival of your own consciousness?
>
> Substitute "my survival" for "man's survival", and Ayn is telling us that
> she
> desperately needs a connection to certain works of art (mostly  by Victor
> Hugo) -- and the consequence of the  desperation of that connection, is the
> extreme  narrowness of her taste.
>
>
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