>We don't know how you interpret "changing", "mind", "think"

Just use your own interpretation of these words,  William, and tell your own
story -- if you can.

Imago Asthetik began by saying that  "A number of Adornos writings have
changed theway I look at art.", but, so far, hasn't taken it any further.

Michael told us how reading art history removed some of his misgivings about
El Greco -- but since he had those misgivings without ever having seen any El
Greco, except in reproduction, perhaps his mind was changed by the actual
paintings, rather than by the art history.

Many people seem to  believe that art history, criticism, and theory is very
important to the understanding of art, but so far, over the last decade this
list has been running, these are the only examples that have been offered.

Regarding myself, I do have opinions about things.

 Are they  based on my experience of them, or have they been "obtained from
forgotten sources and presumed therefore to have been born full-blown in your
head"?

 I admit that my memory cannot recall everything  I've ever read -- but I am
quite sure that I have never read any text that has specifically addressed
any of the artworks that I experienced, until after I have experienced
them.(well -- maybe one or two)   Of course, I have read texts that discuss
general categories of things, like Italian painting or Chinese calligraphy or
Rodin's sculpture,  but the individual examples of such things appear so
vastly different to me, that such texts hardly apply.








>We don't know how you interpret "changing", "mind", "think"
For instance, "changing" might imply anything from a reversal to enlarging or
shrinking, etc.
"Mind" might involve reactive feelings, recalled feelings, new feelings, or
feelings with any mixture of reasoning, bias, judgment, etc. "Think" could
refer to anything from associative play to structural analysis of any or all
parts of an artwork, including any historical and social influences,
conscious
or not.   Taking a of that into consideration I suspect that every moment of
our lives is changing our minds in some ways.

But, knowing from experience that you prefer to keep these things on a very
simple plane,  I suppose you are telling us what we already know: You have an
opinion, obtained from forgotten sources and presumed therefore to have been
born full-blown in your head, and then you look for outer echos of it,
praising
those that harmonize and rejecting those that are discordant


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