>Haslick demonstrates simplistic flat thinking. Bell is more sophisticated.
(Boris)

The only difference is that Bell admits his occasional failure, as sometimes
when he is "tired or perplexed", he let's "slip my sense of form". Presumably,
at other times, he is is successful in keeping his attention riveted "simply
and solely of forms and their artistic combination"

It's  amusing - or sad -- to think of that poor man trying so diligently to
avoid any "ideas of life" while auditioning a concert - as it is to think of a
painter who heroically strives  to make his work appear meaningless.

As Kivy writes, such formalism is a reductio ad absurdum of itself -- or, as I
would say, a reductio ad absurdum of  the observation that subject matter can
be  considered irrelevant to the distinction between good art and everything
else.

Such an observation could have been made at any time and place where one
statue of the XXX is chosen over many others which are thrown out, even though
their subject matter could be called identical.

But it's especially unavoidable in modern times when visiting an encyclopedic
art museum and enjoying a variety of images whose  intended subject matter is
sometimes not known and usually not important. (Do I really care if this is a
statue of  Mithros or not?)


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