In a message dated 10/5/09 10:20:33 AM, [email protected] writes:

>  He makes fun of Bell and stretches Kivy to make him an ally for his own
> heavily biased and unexamined, "naive realist" philosophy.  And listers
> call that "cogent"
> I say it fails on the first step by exposing a false interpretation based
> on pejorative adjectives before analysis.  That is the opposite of cogent
> which means a forceful appeal to reason.
>

His initial offering didn't include   his silly attempt   at   innuendo
and did seem to be a good try at a precis.   He was   very cogent for him. It
is his comment on his own first letter which returns to his usual overtones
of condescension and envy-rather like a second rate academic at a second
rate school,which, with his mind, may be all he can envision of critical
thinking. To quote him directly:
  It's  amusing - or sad -- to think of that poor man trying so diligently
to
avoid any "ideas of life" while auditioning a concert - as it is to think
of a
painter who heroically strives  to make his work appear meaningless.

we have all read this sort of thing before in literary society
publications,or been cornered by the man in the Greek fisherman's hat who
talks gravely
of his opinions on-Kivy,perhaps,or even Derrida-and who   gently explains
the longer words so we will understand his meaning.

 What Bell said,if Miller copied it correctly, was:
"At moments I do appreciate music as pure musical form, as sounds combined
according to the laws of a mysterious necessity, as pure art with a
tremendous
significance of its own  and no relation whatever to the significance of
life"
-- while at other moments "Tired or perplexed, I let slip my sense of form
..
and I begin weaving into the harmonies  , that I cannot grasp, the ideas of
life"
Miller seems to have assumed that Bell went into a concert determined to
ignore   the subject of the   instrumental concert when he seems to have
gone in bright and alert and later gotten tired and let his mind wander.
While it is possible that Miller always listens carefully in   a concert and
never tires,it is also very possible that   his idea of careful llistening is
to think constantly of his own reactions and what he can say about them
later. I would like to ask if his idea of listening or viewing or reading
something he considers art   includes this process of first forcing or
generating
some sort of   reaction and then describing it   to himself or others.
Kate Sullivan

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