"I distinguish four modes of painting as the constituents of the early modern
system and give them the names decorative, graphic, optical, and textural"
(page 42)

As Kate already noted:

" The decorative   mode emphasizes symbol and embellishment. "In the graphic
mode,things are painted as they are known or thought to be."... "In the
optical mode,things are are painted as they are seen,or more pointedly,
painted in such a manner that the way they are seen modifies,obscures, or
conflicts with their objective structure and appearance."... "In the textural
mode the qualities of paint and the traces of the painter's hand are
interposed between the eye and the image. Textural painting represents the
activity of painting and the sensuous material qualities of paint as intrinsic
parts of the image one can see."

and

"the great majority of paintings share in one or more modes."

Or, as they say in music theory, they are "polymodal"

For example, in the 16th C., Florentine painters emphasized the graphic mode
over the textural and optic modes - while Venetian painters did the reverse.

But is it possible to have a painting done in only one mode?(as a musical
piece might be only in the Dorian mode)


And is it possible to have a painting that is completely missing any of them?

Are any of these  four  modes absent from any representational painting
whatsoever- whether from "the early modern system" or anywhere else in world
history?

I also wonder, what "modes" Berger has left out.

For example, the "longevity mode" -- where paintings are made to be permanent
- or the "magic mode" where paintings are made to save the soul, heal the
sick, or manifest the presence of the divine (which Berger specifically
excluded from the "decorative mode" which he specified as liturgical, but not
magical)

And most importantly, at least for me, the "rapturous mode", where paintings
are made to enrapture the imagination and provoke feelings of wonder and joy.

Without that mode, paintings with only the decorative, graphic, optical, and
textural modes just don't interest me.

I'd rather look at a beach or a garden - or even the snow covered tree outside
my window.

Berger's four modes are for people who like to talk about paintings, but not
especially to look at them.



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