I 'm a little confused re the statements you provide.  Are both from Harris? Is 
one your own, or Damasio's?  

The first paragraph is ok with me since all agree that neurology is still on 
the threshold figuring out the brain and its myriad neural pathways.  As for 
the second paragraph,  I fail to see why the mechanism of a clock is Not 
analogous to a set of directions.  Those directions are translated into gears 
and springs (in analog clocks anyway) and thus the working of the clock is 
explicit. Very explicit.  No magic involved. No tacit knowledge either.  If 
Harris said that then I'm curious about his reasoning.  And if the last 
sentence is not clear at all.  What phenomenon is being referred to?

I don't think I'm touting Harris as much as you think I am. I bring him up only 
because he addresses the very issues that preoccupy us on the list.   I'm 
always a bit suspicious when people outside art --  and especially outside the 
completely nutty arena of art theory  --claim to have a clear fix on things 
artwise. But I'm very impressed by Harry Collins (scientist) and his book on  
tacit and explicit knowledge and find his reasoning airtight, sentence by 
sentence, and deeply informative.  Plus, I'm very impressed by Thierry de 
Duve's  (art theorist/historian) new book, (in English) Greenberg Between the 
Lines.  So much good material being published lately on art and aesthetics, 
suggesting a big shift in the making. 

I do like to think about Harris' idea that art is being subsumed by other 
disciplines, broken up into varied modes of practice within those disciplines.  
This is opposite the normative view that art is blurring the boundaries or is 
taking from other disciplines.  My funny way of seeing this is an analogy with 
the medieval Vikings.  The accepted picture is that they stormed ashore, stole 
all the pretty girls and loot, and went back to their ships to raid another 
place down the shore.  In fact the Vikings came to stay and over time became 
assimilated by the peoples they invaded.  Maybe it's the same in art.  Art 
raids the disciplines and is absorbed instead.  
wc




----- Original Message ----
From: "[email protected]" <[email protected]>
To: [email protected]
Sent: Wed, June 2, 2010 12:13:29 PM
Subject: Re: book

William -- Since I know your respect for Damasio, I think the following
excerpt from Harris's   brief intro to integrational linguistics may be of
interest to you:

It is sometimes said that a full understanding of our blinguistic
knowledgeb
(or, alternatively, a bscientificb understanding of language) will be
impossible until advances in the study of the brain reveal exactly how the
language faculty and other faculties are related. This is held out as one of
the
hopes for future bcognitive scienceb.

7c. Thinking of language in this way, however, rests on a misunderstanding.
The mistake is analogous to supposing that the explanation of why a clock
keeps good time must be that inside it there is a set of instructions for
time-keeping. Research into brain mechanisms is interesting in its own right.
But the fact that linguistic communication has already come to play such a
central role in civilization without relying so far on any such research
suggests that whatever human beings already know about language from their own
experience is quite adequate for an bunderstandingb of the relevant
phenomena.

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