On Sat, May 17, 2008 at 1:37 PM, Steve Richfield
<[EMAIL PROTECTED]> wrote:
> Now, decades later, come the present discussions about patterns, apparently
> advanced along with the same lines of "thought" that was behind that IQ test
> so many years ago. Pattern recognition without underlying supporting theory
> is WORTHLESS (or perhaps worse) except perhaps to suggest possible
> underlying theory. Any good AGI would see a limitless list of possible next
> items from any real-world list.
>
> Take a sequence of alternating musical notes. Does anyone here REALLY think
> that someone is going to sit in Carnegie Hall and continuously play two
> alternating notes just because he started out that way? Note that Fur Elise
> does indeed start out that way. No, at some point, the odds of continuing
> with the same two notes drops quite low. A good music composition program
> might theorize the best sounding subsequent notes, and THOSE would be much
> more likely than continuing with the same mindless repeating pattern.
>
> <snip />
>
> Steve Richfield


There are two interesting points here.

The first is that (in my opinion) pattern matching must come first. I
agree that understanding the patterns (the /why/) is important; but
seeing (even unjustified) patterns is crucial. The benchmark I like to
consider is an intelligent system being connected to a noisy camera
for the first time. The noise may overwhelm the pattern matching at
first, but over time it should automatically learn to filter out the
noise regardless of whether or not it understands why the noise exists
at all.

The second interesting point is music. It is my belief that one of the
important properties of music is how it tickles our pattern matching
ability. Imagine a sequence of notes fed into an intelligent system
(perhaps, through speakers into a human mind). The intelligent system
automatically tries to find patterns in the notes such that it can
model the notes (and predict subsequent notes).

We can imagine another sequence of actions of the intelligent system
as it parses subsequent notes in the music. These actions can indicate
three things:
- The note has been correctly predicted
- The note has been incorrectly predicted and the system doesn't know
why that note in particular was played
- The note was incorrectly predicted, but it shows a new pattern which
explains previously incorrectly predicted notes.

It is my opinion that beautiful music makes an intelligent mind
trigger 'just the right amount' of these second two kinds of
modelling.

-J

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agi
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