Yep it certainly does.
On 2/04/2018 5:35 AM, Hamit Campos wrote:
Yeah cause the wind even gets into the sides apparently. Well it didd
for Neal anyways.
On 4/1/2018 3:13 PM, Dane Trethowan wrote:
Yes I did initially think of recording my tree being felled with the
Olympus LS-100 however that would be a very bad move since my LS-100
is one of those Neal talks about which is extremely sirseptable to
wind noise even with a windscreen fitted.
On 2 Apr 2018, at 4:10 am, Hamit Campos <hamitcam...@gmail.com> wrote:
Ah I can hear up to 18 K. But I wana see how much difference I can
really hear. Thing is I've done it with an LS-14 but of course this
isn't as pro as the H6 is. Maybe an LS-100 would be but saddly
couldn't get that.
On 4/1/2018 2:08 PM, tim cumings wrote:
Inmy jhumble opinion, recording at 96 khz 24 kbps is really a waste
of time. Even with perfect hearing most people can't hear above 22
khz anyway.
On 3/31/2018 11:07 PM, Dane Trethowan wrote:
Unfortunately the chap who has been employed to do it didn’t turn
up and I was annoyed about it to say the least so I’ll be
following that one up after the Easter holiday break ends, Happy
Easter and Happy listening/recording to you all by the way <smile>.
On 1 Apr 2018, at 12:55 pm, Hamit Campos <hamitcam...@gmail.com>
wrote:
Were you able to record the tree chopping?
On 3/31/2018 10:18 PM, Dane Trethowan wrote:
Hmm.. I'm not sure where you got that info from?
Unless I'm totally wrong I understand that whatever the sampling
rate is set to then that goes so if you're set to 96K 24-bit
then go for your life with the whole 6 tracks.
There are two things you have to be aware of and the first is SD
card size as you'd need something large to do 6 tracks at 96K
24-bit.
Second is that once the sample rate is chosen then that's all
you can down mix to so in other words if you're performing a
down mix on the H6 then everything you choose in your project
has to be of the same sampling rate.
On 27/03/2018 10:25 AM, Hamit Campos wrote:
Ah that's fine. it won't let you go all the way to 96 KHz 24
bits if you go beyond stereo anyways. So Stereo is fine. I just
wana hear the recorder's capabilities at full glorious HD.
On 3/26/2018 7:02 PM, Dane Trethowan wrote:
Unfortunately I'll only be using 2 channels to make a stereo
recording, I only have so many microphones you know <smile>.
On 27/03/2018 9:48 AM, Hamit Campos wrote:
Ah sure that will be interesting. I'd love to hear this thing
fully unleashed.
On 3/26/2018 6:07 PM, Dane Trethowan wrote:
I’m recoding a tree bing felled today so I’ll put that up
later if this would help.
On 27 Mar 2018, at 8:21 am, Hamit Campos
<hamitcam...@gmail.com> wrote:
Dain, I've heard the mikes on Neal's podcast. But can you
send me some stuff in full glorious 96 KHz 24 bits HD?
After all neal's podcast is just an MP3. My email if you
wana send it to me dirrectly is hamitcam...@gmail.com. I'd
say just some out doors stuff but don't know how it's there
in your part of Australia. Don't want ya to freese or
something. lol
On 3/26/2018 11:09 AM, Dane Trethowan wrote:
Hi!
Thanks to the list member who recommended the Zoom H6
recorder, I’ve had mine for a month and to say I’m pleased
with this recorder is indeed an understatement.
The Zoom H6 is the best field recorder I’ve ever owned for
so many reasons which include usability.
The ability to record 6 tracks at once right out of the
box is a plus as none of the recorders I have will do that.
The sound from the supplied microphone capsules has to be
heard to be believed as it sounds so much better than most
other supplied microphones for field recorders you’re
likely to hear.
All of the functions I use are accessible without the help
of the menu system though I do plan to write a menu
shortcuts document for the recorder though its the usual
thing of finding time.
--
**********
"A dog is a good thing to have around a house and so is a fence"
**********
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