Hi Aakarsh! Thanks a lot man, that blog spot is awesome! At a personal level, Naushad probably had the biggest influence on ARR as both are deeply spiritual men, thus their emphasis on strong melodies. Yesterday, I was listening to 'Hai Na' and felt certain similarities with the lovely 'Teri Husn ki' from Leader although I can't still pinpoint them at a detailed level. The more obvious ones are the introductions on the santoor (correct me if I'm wrong on the instrument).
Coming to Chowdhury's music, I did see Anand once and liked 'Meine Tere Liye,' but did not know it was by him! Although Anand may not be in the same league as Madhumati, after buying the album just now (it's amazing what you can find on the iTunes Music Store!) and listening to the four songs, I can see they are definitely above par in melodic content. I will definitely check out the other movies you had noted as well. Couple of questions for you. 1. What made you attribute 'Anbe' from Rythm to Salilda's style? 2. Can you briefly describe the meaning of 'Uthar-Chadaos? Gopal, I tried to make this as 'ARRelevant' as possible since I think these discussions are very educational for us all, but feel free to give the 'take it outside!' command as necessary. :) Regards, Dasun >From: Kamal Aakarsh Vishnubhotla <[EMAIL PROTECTED]> >Reply-To: [email protected] >To: [email protected] >Subject: RE: [arr] to Dasun Abeysekara (regarding Salil Chaudhary) >Date: Sun, 20 Nov 2005 07:49:36 -0800 (PST) > >Hi! > > read your mail...the biggest surprise came to me when i read that >Madhumati is the only album of Salil Chaudhary which you've heard. He was a >super-genius who was ranked along the likes of S.D.Burman, Naushad , Madan >Mohan and all.. > > His area of expertise was Western Classical plus Folk.Infact, >Ilaiyaraaja worked with Salilda as a guitarist,which is why he too emulated >similar ingredients. Salilda was the first composer,in india, who looked at >Symphonies of the west..and understood the nuances which he adapted very >well..by fusing indian folk into it.We can say that his music was also a >kind of Fusion. he was a genius...his compositions were kinda complex..with >lot of Uthar-Chadaos..infact...the number of simple compositions is very >less...because most of his compositions used to baffle the >instrumentalists...people in those times used to feel that he is a cut >different from the rest because of his unique formula of >symphony+folk+classical. > > Some fantastic albums of Salilda are here : >http://www.musicindiaonline.com/l/17/m/music_director.494/ try them...my >picks would be Anand, Maya, Parakh, Rajnigandha, Choti Si baat, Chaya, >etc.,. > > i know Rahman admires Salilda a lot...however, having heard many >Salil-da songs, i can say that Rahman doesnt imbibe much of Salilda's >style...he does..but not much..According to me Rahman is (more) heavily >inspired by Naushad...and sometimes, both the Burmans..and at times even >Ilaiyaraaja...he himself admits it..The Salil-da ingredient is very >less..but yet, if you take a song like "Sky"song from "Rhythm"..it is his >tribute to Salil-da. > > > Regards > Aakarsh. > ( www.musicmavericks.blogspot.com ) > >Dasun Abeysekera <[EMAIL PROTECTED]> wrote: > Thank you so much for this link! I have always been blown over by the >Music >of Madhumati, eversince I saw the movie (one of my first in Hindi along >with >Abhimaan) as a 9 or 10 year old. I still remember falling in love with the >beauty of Vaijyanthimala, so this movie has a special meaning for me too! >Coming back to the music of Salil Chouwdhury, it is a class apart in this >movie, his versatality shows through the incredible variety of styles he >composes in this album. From the lyrical ballad Dil Tadap, to the lovely >Zulmi Sanga Aankh Ladi, to the heartwrenching Toote Hue Khwabon, to the >comical Jungle Mein, and the opening Aja Re Paradesi, which always gave me >the impression that both Mani Ratnam and ARR had this song in mind for >Roja's opening chinna chinna Asai, just a hunch. Anyway, truly a >masterpiece >by all means. Unfortunately, that is the only Salil Chouwdhury album I >currently have or heard, well I have the old Devdas DVD, but that does not >have many songs. > >Looks like he was Bimal Roy's favorite, that should speak enough of his >genius! I like these topics...we should branch out once in a while and >discuss the old greats of Indian music, who undoubtedly have influenced ARR >in many ways. > > > >From: "Manoj Mohan C" <[EMAIL PROTECTED]> > >Reply-To: [email protected] > >To: "ARR Fans" <[email protected]> > >Subject: [arr] [semi-ARR] ARR mentioned in tribute to Salil Da > >Date: Sun, 20 Nov 2005 15:37:27 +0530 > > > >...........Music directors from Shankar-Jaikishen to A.R. Rahman have >been > >struck by Salil da's felicity in matching orchestration with > >emotions..........The skilful use of obligato, the counter melody flowing > >around the main melody, is an unfailing attraction of his > >music.........Both Ilayaraja and A.R. Rahman followed the path charted by > >him. Ilayaraja was introduced to the film industry as guitarist and combo > >organ player in Salil da's recordings and his influence on Ilayaraja is > >evident. R.K. Sekhar, Rahman's father, worked with Salil da as an > >assistant. Rahman himself testifies that attending Salil da's recording > >sessions at a young age left an indelible impression on him. > > > >http://www.hindu.com/mag/2005/11/20/stories/2005112000340500.htm > > > >Manoj > > > > >Explore, Experience, Enjoy A.R.Rahman - The Man, The Music, The Magic. >Only at arrahmanfans.com - The definitive A.R.Rahman e-community. > >Homepage: http://www.arrahmanfans.com >Admin: [EMAIL PROTECTED] >To Subscribe: [EMAIL PROTECTED] >To Unsubscribe: [EMAIL PROTECTED] > > > > > > SPONSORED LINKS > New country music artists New music artists Christian music >artists Country music artists Music artists Unsigned music artist > >--------------------------------- > YAHOO! 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