Funny, that... She wanted ARR because of the background score and then she replaced him with Vishal-Shekhar but nobody is talking about the fact that the background score of OSO has been scored by Sandeep Chowta...
----- Original Message ---- From: Gomzy <[EMAIL PROTECTED]> To: [email protected] Sent: Friday, November 9, 2007 6:40:05 PM Subject: [ARR] Farhan Khan's references to ARR <!-- #ygrp-mkp{ border:1px solid #d8d8d8;font-family:Arial;margin:14px 0px;padding:0px 14px;} #ygrp-mkp hr{ border:1px solid #d8d8d8;} #ygrp-mkp #hd{ color:#628c2a;font-size:85%;font-weight:bold;line-height:122%;margin:10px 0px;} #ygrp-mkp #ads{ margin-bottom:10px;} #ygrp-mkp .ad{ padding:0 0;} #ygrp-mkp .ad a{ color:#0000ff;text-decoration:none;} --> You wrote Main Hoon Na, and now Om Shanti Om with Mayur Puri. How did the story of OSO come to you? Mayur Puri has written the dialogues for OSO. The story just came to me when I was doing the musical Bombay Dreams in London, which was also about Bollywood, Bombay Dreams portrayed a cliché¤ and outdated version of the film industry. I thought if this were made into a movie and released in India it wouldn't work. Why did you decide to switch to Vishal Shekhar from Anu Malik (who was the music director for Main Hun Na) for OSO's music? A director has the prerogative to work with new people in a film if they feel it will give a new energy to the film. I wanted to first work with AR Rahman I though he would do a great job with the background score, but that didn't happen. After that I chose Vishal Shekhar because it is good to work with newer younger people gives you a fresh perspective. http://specials.rediff.com/movies/2007/nov/09slid4.htm Gomzy
