streaml1ne wrote:
> re: content. True, for me the bonus of DVD-A is multichannel playback.
> It's nice to see how the producer remasters content to take advantage
> of the extra channels.

One big problem with all the multi-channel systems for audiophile
quality reproduction is the lack of standards. I tend to
think that The Absolute Sound has the right idea on this
part, where they want to reproduce music as it was played.
They tend to go overboard on occasion, but that is a separate
thread.

Some producers use the multi-channel for ambience,
others seem to fall into the 60s stoner-rock equivalent
of "wow, I can make the lead guitar come out of the left
rear channel". Which is really disorienting IMHO,
as the lead guitar belongs up on the stage.

Other producers do the "you are on stage, with the band
surrounding you" orientation, which is equally wrong IMHO.
The sound on stage is not close to what the paying customers
get in the center of the second or third rows. That
is the traditional "best seat in the house" position.

Both DVD-A and SACD multitrack in all sorts of strange positions
with four, five, and sometimes seven 'main' channels, plus LFE/sub.

I believe that the market would have worked better if they
only required two serious speakers, and setup for smaller
speakers with higher WAF for the hall ambience. No way that
my wife would allow six of my Sonus Faber speakers
in the living room.

I think this is all moot, the mass market doesn't even
require RedBook CD quality, they listen to third generation
bootleg MP3s.


-- 
Pat
http://www.pfarrell.com/music/slimserver/slimsoftware.html

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