opaqueice;185562 Wrote: 
> OK, well, for starters we don't know whether processing load (defined
> somehow) is higher for FLAC.  The CPU has many tasks to perform related
> to TCP/IP ...

Decoding straightforward algorithms is nothing for a modern CPU
loadwise. This stuff is merely a matter of never starving the buffer of
the unit that truly converts things into sound, i.e. analog. Up until
that point, the advantagte of digital is that with a good enough design
and a signal path that does not cause bit loss everything that happens
to that last point doesn't really matter - the data going into it is
exactly the same as the data that went into the beginning of the chain.
Whether a bit is pretty or not does not matter as long as it's within
spec.

All the rest can be accounted for with the appropriate buffer design at
the remote end of the digital transmission chain, the D in the DA. It
can account for delay, jitter and what not.

opaqueice;185562 Wrote: 
> So why, for example, are people obsessed with this and not concerned
> that wireless sounds worse than wired?

There is absolutely no engineering reason why it should. Wireless does
not even remotely pose a system bottleneck. And both ports are active
the whole time, unless the SBQ interface provides a way to truly
disable either I don't know why it would make a difference - the
protocol is active trying to establish connectivity, whether it finds
it or not, so the elements that could lead to signal contamination are
actrive. I could imagine that in some system the usual RF interference
may make a difference given a final analog stage that is more
vulnerable? Anser - move the SB around and see if that make a
difference. 

I don't hear a difference between wireless and wired at *all*. And this
is coming out of a chain with a degree of accuracy that is sometimes too
crystal clear for it's own good, brutally revealing weaknesses in any
somewhat flawed source. I've tested it both through loudspeakers and
headphones.


-- 
pablolie
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