gdg;232284 Wrote: 
> Apparently Toslink does in fact introduce jitter. I have this from at
> least two audio engineers that have no reason to mislead me on this.
> However,  if you reclock to bring the jitter down to minimal levels (as
> I do with a Big Ben) you can then take advantage of the fact that
> Toslink isolates the processor from upstream noise.

All connections potentially introduce jitter. Coax also introduces
galvanic coupling and rfi, as you say. Toslink-induced jitter artifacts
appear to be very high frequency and uncorrelated. They can thus be
dealt with by a variety of means such as reclocking, jitter scrambling
etc.

Optical connections (of various sorts) are frequently found in
professional applications and are not always re-clocked.

Many of the CD's you own will contain music that has passed through one
or more optical digital connections.

A DBT listening test of coax v optical is more informative than a bunch
of theories. Different systems will produce different results. In many
systems there is no audible difference between the two. In some
systems, toslink+reclocking sounds better than coax. I happen to use
coax+reclocking  because my reclocking device has no toslink input.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...

...SB3+TACT+Altmann+MF DACXV3/Linn tri-amped Aktiv 5.1 system and some
very expensive cables ;o)
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