DRC in the bass would be nice.

Above the bass I see RC as a strategy with a kind of negative feedback
loop. The more you focus on complete correction the more likely the
correction might be distorted by random variabilty. I see this all the
time on FR plots done with impulses and mics, there is something like a
tooth comb pattern overlaying the general shape of the FR curve.
Correcting for these tiny variations is usually futile because their
exact position and size tend to vary on each measurement. That's just
FR, but RC tries to correct a lot more. Another way of saying it is
that IMO a lot of what is corrected by RC is in a fashion noise. As
opaqueice stated at higher frequencies there is a lot of chop and
change within small distances. It doesn't make sense to correct this
kind of thing at a particular point. That is why many RC systems allow
you to soften the filter so it works over a larger area but no so
starkly. My point is that this limitation is inherent to the DSP
endeavor - it isn't just a feature of implementations of DSP
technology.

That's why I like to use warble tones to do my FR curves. They smooth
the picture FR-wise, and FR-wise humans perceive the smooth picture and
filter out those random fluctuations.

That's why I believe there is no total solution possible with RC. It
can help, for some listeners, but I don't agree it is a silver bullet
that with enough work can cure all. In the bass it works a treat and
opaqueice wrote some explanations also as to why.

I am more for taking the 'natural' approach first. If that doesn't work
or isn't possible then DSP is the next port of call, by all means.
Darren


-- 
darrenyeats

SB3 / Inguz -> Krell KAV-300i (pre bypass) -> PMC AB-1
Dell laptop -> JVC UX-C30 mini system
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