DCtoDaylight;350839 Wrote: 
> And if no one can hear distortion levels of less than 0.1%, why does
> gear go down to 0.001%?  In a word, marketing!  
> I think that what Pat is saying, is that many highly respected, great
> sounding mic's are actually quite limited by audiophile standards, and
> that the ability to reproduce ultra high frequency harmonics is not, by
> itself, a good indicator of sound quality.  
> The extra headroom a higher sampling rate brings is more useful for
> simplifying the anti aliasing filters, than it is for reproducing those
> high frequencies.I get your point and Pat's one. But I strongly disagree 
> about your
distortion level example : If a lot of people can hear differences
between -say- different speaker cables or even between microphones,
although CCIV/ITU-R ABX tests prove that no-one hears any differences
of that level anyway, then, probably, the famous ABX tests methodology
is broken and/or there's a factor that we forgot to consider.
Also, I happen to know some amplifier designers, and I can tell you
that when they go as far as 100kHz and 0,001% and 0dB frequency
responce deviation (although the... tests say that no-one hears
differences of 0,1dB), it is not for marketing purposes. 
It is because the sound of their product is better with than without.
Go figure.


-- 
Themis

SB3 - North Star dac 192 - Denon 3808 - Sonus Faber Grand Piano Domus
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