By the way, I had a look at the citations to that paper.  There are a
total of 9 references in English which show up on google scholar, of
which some are  loudspeaker manufacturer white-papers, one is a
description of the SACD standard, a few are by authors of the paper,
and only one is a scientific paper by other authors (but at one of the
same universities) - and it has nothing to do with HF sound audibility
(I think the reference is due to some of the EEG techniques used).

This for a paper from 2000.

Now this isn't my field, but a paper with only a few self-cites,
industry whitepapers, and a single more or less peripheral reference
from one's colleagues after 8 years is a failure.  It usually means the
paper is believed to be wrong by everyone else in the field and hence is
ignored.

Oh - and ISI turns up this one as well:

"Signal to noise: calculating the high-resolution-audio reality-to-hype
ratio" which refers to it as well. 

> If the benefits of a migration beyond 16-bit, 44.1-kHz audio are so
> obscure, then why do so many people claim that the new formats sound so
> much better, especially when they're auditioning in nonideal listening
> environments? One pragmatic answer is that brains are fickle organs; if
> someone wants to believe that one thing is better than another, the
> brain happily distorts its sensory inputs to create the desired result.
> If you've just spent tens of thousands of dollars to upgrade your gear
> and music collection, that investment can be a strong perception
> incentive. 

http://www.edn.com/article/CA272755.html
http://www.edn.com/article/CA276213.html


-- 
opaqueice
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