Robin Bowes;409580 Wrote: 
> someone wrote:
> >>> These blanket assertions of superiority of one source over another
> >>> w/o some rigorous testing are quite invalid and boring.
> > Robin Bowes wrote:
> >> I agree.
> >>
> >> Mainly because the language used is inevitably some thing like "X
> blows
> >>
> >> Y away", or similar. For example, in this case:
> >>
> >> "Audio Quality is stunning, and blows away the TP in all aspects in
> my
> >> opinion."
> >>
> >> Now, it may well be that the source in question is very good; I
> don't 
> >> know, I've not heard it. But, we're talking about a digital source
> >> here. 
> >> There's no way on earth that *any* digital source can "blow away" 
> >> another. Just like the Transporter doesn't "blow away" the SB3; sure
> 
> >> it's better sounding, if you have a sufficiently high-calibre system
> 
> >> that can resolve the differences, but it's not "night and day".
> Hell, 
> >> I've got a v.old CD player (Marantz CD50SE - about 20 years old!)
> and 
> >> yeah, both the SB3 and Transporter sound better, but the difference
> is
> >>
> >> not massive.
> >>
> >> R.
> > I do not agree with your statement.  Digital sources make the most
> > meaningful difference in quality.  You can never hear what's been
> lost.
> 
> I don't disagree with that (even 11 months later). Deficiencies in 
> digital sources are different than, say, speakers with a "bumpy" 
> frequency response. They're often not immediately obvious to the 
> listener, sometimes only becoming apparent after a longer period of 
> listening.
> I find the differences to be more important and obvious than speaker
> differences.  If you are listening for musical performance criteria
> such as timing, pitch, vocal and instrumental delineation, and the
> ability to focus on an individual performance out of the group, then
> the difference in source (the Karik/Numerik was a source because of the
> specific clock tie-in between the components) is immediate and
> apparent.
> 
> > If the source doesn't bring it out, it doesn't matter what the amp
> and
> > speakers do.  I had a Linn Karik-Numerik a couple of years ago.  I
> had
> > friends bring over their CD players and I would leave the room
> during
> > the comparison.  Every time everyone in the room thought that the
> > Karik-Numerik had a much more musical sound. Most of these guys were
> > very skeptical and to a man and woman they were perplexed and amazed
> at
> > how good a digital source could sound.  That was easy money.
> 
> But that's not just a "digital source" - it's a transport and D/A.
> The Karik/Numerik was a digital source because there was a special
> clock master/slave tie-in between the two that specific to them only.
> 
> > I have a Duet and I really enjoy the ease of use and versatility. 
> It
> > doesn't sound as good as my CD player, but it's a lot easier to find
> > the music I want to hear in my collection.  I plan to buy a Linn DS
> > player.  They sound fantatic and leave you buried deep inside the
> > music.  The user interface from Linn is a different story, but I
> have
> > seen some promising things from some of the third party developers. 
> I
> > have heard the Transporter, it has some very good qualities.  It
> just
> > doesn't get me involved in the music.
> > 
> > Logitech has cool products, and they have done a lot to make good
> music
> > available and easy to use.
> 
> I still maintain that the difference between Duet/SB/Transporter/Karik
> 
> digital sources when used with the same DAC (the Numerik, in your case)
> 
> will be, at best, subtle. Sure, there may (will?) be differences but,
> as 
> I said in my original statement, they will not be "night and day".
> 
> R.My nights and days mean something different than maybe some others.  I
worry less about soundstage and speaker bumps.  I am much more
concerned if I can hear the way Coltrane began his entry into the piece
and can I follow him through as I would at a live performance.  A really
good source frees up this level of information.  You get the artist
intention on how the piece was played in the hall or the studio from a
performace perspective.  Better amps and speakers can make this clearer
and more interesting, but they can't bring any more information than
what the source sends.


-- 
WhatsNext
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