cliveb;503336 Wrote: 
> They seem to have become so of late.
> 
> Back in the Good Olde Days(tm), oversampling meant something very
> specific: the stuffing of extra samples into the data stream in order to
> move the aliasing artefacts to higher frequencies, so that the
> subsequent reconstruction filters have an easier job of removing them.
> It doesn't matter what sample values are added (different sample values
> will change the nature of the artefacts, but since we're going to be
> removing them that's unimportant). Therefore oversamplers typically just
> add zeros. Oversamplers always do so by a factor of 2 (ie. they
> oversample by 2x, 4x, 8x, 16x, etc).
> 
> OTOH, my understanding is that upsamplers tend to "invent" extra data
> values. The marketing departments typically refer to this as a way of
> "smoothing out" the signal, which of course is BS since the
> reconstruction filter in all DACs does precisely that. And of course
> it's impossible to know whether the extra data is anything like what the
> original signal might have been before it was bandwidth limited,
> although pragmatically you could argue that interpolations might be a
> fair approximation. If you then retain this data all the way to the
> analogue output (ie. you don't then remove it with the reconstruction
> filter), it strikes me that what you end up with is the original in-band
> signal plus some additional high frequencies which may or may not bear
> some vague similarity to whatever original signal was present prior to
> A/D conversion. (Perhaps you can tell that I'm skeptical about the value
> of upsampling :-).

Our understandings converge...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
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MF Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
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