Phil Leigh;592653 Wrote: 
> absolutely! - anything other than a spaced or crossed pair "ambient"
> recording is going to sound "unrealistic" and will bear very little
> relationship to what you would hear if you were actually standing in
> the room listening to the music.
That about marks the extent of my amateur recording.  A crossed pair of
Shure dynamic microphones, a microphone preamp and a Sony reel to reel. 
I kept the cables as short as possible which annoyed the players a touch
as it meant me sitting in the front row of the audience! Being full
dynamic range mics meant setting levels so close to the players was a
nightmare, so I would always try and be there for the final rehearsal.
Occasionally it sounded half decent - but usually either the quiet bits
were drowned in hiss or the loud bits distorted (this was just before
the days of DAT).

At home I would copy the recording onto cassettes for band members who
wanted them.  After about 5 or 6 concerts I found the recording a bit
of a chore and it got in the way of my enjoyment of the music, so I
handed the job over to somebody with more equipment, enthusiasm and a
better idea of what he was doing! Mind you he would place five or six
microphones around the orchestra and trail cables everywhere to a
little mixer, so his "stereo illusion" was probably not as good as the
one created by my setup.

I agree totally that the stereo illusion in most professional
recordings rarely matches anything close to reality (liked the Youtube
clip Phil), but I was not so much thinking about the stereo illusion
but rather whether the instrument sounds "right". There is little
stereo information in a recording of a solo piano anyway - except for
the acoustics of the room it is in. And with a drum kit it is more
"does the kick drum sound like a kick drum or a hi-hat like a hi-hat"
etc.

In fact, I cannot think of an instrument that, on its own, occupies
enough space to need stereo - unless ludicrously close miked.


-- 
TheLastMan

Matt

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