Archimago wrote: 
> You guys are hilarious :-).
> 
> Well, it's cloudy and 6C today in Vancouver, humidity 80%, so probably a
> terrible time to do any real audiophile listening!  Guess I'll have to
> wait a month or two before humidity gets to 60% so I can "seriously"
> listen (or import that crisp Tibetan air). Sorry Ralph, your machine
> will likely lead to parasitic vibrations with the Peter Belt foils I
> have all over my DAC, cables, and CD's - just can't have that kind of
> thing going on.
> 
> OK, I'll give the following test a try tonight:
> 
> Touch analogue out measurement (IMO no point with digital out since
> measurements of noise floor, dynamic range, etc. are just showing the
> limits of the downstream DAC as demonstrated by the lack of difference
> shown despite how extreme everything went when I tried the TT mod!):
> 
> 1. Server side decoding of FLAC --> PCM 24/96. Too bad 24/192 cannot be
> played analogue on the Touch since that would REALLY stress the
> wireless.
> 2. WiFi with WPA password protection in place, I'll try to report
> wireless strength. Remember, the Touch is only capable of Wireless-G on
> the 2.4GHz band. (My wireless router is an ASUS RT-N56U bought about 2
> years ago if anyone cares.)
> 3. Hypothetically, then, if indeed this amount of data throughput is
> stressing the Touch, then we would expect the noise level to rise due to
> all that electrical "work" being done, right? Obviously, if the wireless
> network cannot handle the throughput, the result should show gross
> anomalies due to buffer issues as well.
> 4. Just to show that I'm not completely a measurebator, I'll subject
> myself to listening to some "Waltz For Debbie" (24/192 -> 24/96 server
> downsampling) and see if Bill Evans and boys sound like crap when the
> music is "beamed".
> 
> Cheers...  Let me know if there's any last thing you want to see done
> while I have the Touch connected.

Thanks for this measurements series a lot of real work done .

4. Urgh , very fine recording but you tikled another toe here , the
intrisinic resolution of the old recordings are less than any modern
format you chose to present them in . Even if it's fantastic sounding
with fantastic music the noise levels and frequency response are such
that it can be completely coded by any format from 16/44.1 and upward.
The delivery format is never the limit nowadays .


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