SoftwireEngineer wrote: 
> I have heard 16bit/44.1Khz that is as good as any other high-resolution.
> I think it all depends on the mic'ing techniques and the equipment used
> to record. To actually, compare low vs hi-res it is always good to
> downsample the high-res to low-res and then compare (instead of using a
> different low res recording). Usually, the high-res recordings are made
> with more care, better equipment and that is where the improvement comes
> from usually (my opinion). Quite likely beyond 24bit/48Khz there is any
> improvement. If at all there is, it is probably due to implementation
> reasons (the high-res bits taking a different path in the system than
> the low res) vs actual improvement from real resolution changes.

Yep i've done a lot of that downsampled hirez ,but I've used modern
24/192 /96 recordings so that is reasonable possibility of it making a
difference ,sorry even if I'm a fanboy of the DVDA format ( have
hundreds ) no difference .

A good master is good master , the reality is that in some cases a much
better version/master can be sold under the hirez moniker.
This is apparently a needed marketing gimmick as the record companies
have destroyd " remastered " as a quality seal .
Nowadays "remastered" usually means crap , they tried to make it sound
modern with digital clipping and squashed dynamics etc the late 80's
early 90's CDs's of some stuff is usually the best bet .

Like a coincidence , if DVDA or SACD has a cd quality layer ,this layer
always sounds worse than the hirez ;)


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