garym wrote: 
> "192kHz digital music files offer no benefits. They're not quite neutral
> either; practical fidelity is slightly worse. The ultrasonics are a
> liability during playback."
Now after this is some older news and some discussion was raised due to
it i want to mention one thing that comes up with this discussion
regulary "I need 384kHz because i can hear harmonics"
There are many people claiming to hear "harmonics" Their applied logic
is that you need frequencies above your hearing played to fully enjoy
the lower harmonics you can hear. Therefore a system with tweeters and
amps going well above 20kHz is essential.

People claiming this don´t let count that all these lower harmonics that
may be created by an instrument are already perfectly captured inside
the recording in the contend below 20kHz. 
Worse even! Imagine your system really creates lower harmonics from
higher harmonics on playback. You now have pretty much garbage on
playback, namely the lower harmonics already deep inside the recording
and played back + the newly created ones. 

So it wouldn´t surprise me when in reality the less content you play
back that is out of your normal hearing range the better the playback
is.

We don´t listen an instrument that interacts with the enviroment - we
listen what is captured already of the interaction with the enviroment.

I hope this makes sense, sorry for my weird english with this.


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