SoftwireEngineer wrote: 
> I think I am in the 'hi-fidelity' camp on this. Yes, the term audiophile
> has become associated with 'euphonics', over a period of time. I do
> think though that vinyl lovers do not necessarily fall under that
> euphonic category. I have a MMF-5 turntable and I feel it is one of the
> most transparent sounding sources I have had. It is very difficult to
> get that kind of transparency from digital. I think it is mostly related
> to actually recreating the sound physically (you can hear the sound when
> you are close when the amp is off) and just picking it up and amplifying
> it - more like a mic feed. Some say, it is not a accurate reproduction,
> but if you take a same analog recording - one cut to LP and another
> sampled, I think you might prefer the LP, for a reasonably priced
> system. 
> Similarly, some feel that 'solid-state' does not truly recreate the
> waveforms like tubes and have a preference for the thermionic emission
> of the tubes. Apparently, any distortion the tubes create is
> harmonically related and is not damaging. After a while, people just
> start preferring the distortion itself and go after 'euphonic
> colorations' in their system.
> In my case, I have the 'listen from another room test'. Can I tell what
> is playing outside, another room is a real instrument or not ? For eg, I
> hear somebody playing the drums in a distant home, when I am going for a
> jog. No mistaking a real direct sound. Of course, it is difficult to
> recreate that with audio equipment, different musical instruments
> product different frequencies, but a speaker has to produce them all (of
> course, you have woofer, tweeter etc still).
> I think everything in the chain in a stereo system contributes/affects
> the sound. I like to keep it to a minimum. I ran with my Panasonic
> digital amplifier for quite some time and then 'upgraded' to the TACT.
> For others, who like to use DAC/amp, I suggest going after a preamp-less
> system if you can deal with the number of source. Many DACs now come
> with preamp capabilities (source selection, volume control) and while
> doing doing DA, it can also do the volume adjustments and hence reduce
> one component/connection in the chain.

Thanks for the comments SoftwireEng.

Good comments about the vinyl. Although I personally have not bought any
vinyl since about 1987, I can certainly appreciate how good it sounds
when I'm visiting a high-end vinyl room. To be honest, I don't know if
I've ever been able to say it sounds that different from a well mastered
CD/high-res though...  I know vinyl lovers have often said the sound
quality is hard (impossible?) to achieve with digital but I've not been
convinced of this yet (maybe I haven't heard a good enough setup). I
tend to be easily annoyed by surface noise, clicks, pops, static. I also
remember being annoyed when I used to buy new albums and finding little
scratches and warping upon opening the package :-(

As an aside, I think vinyl needle drops can sound fantastic!  For
digital releases which are poorly produced like Red Hot Chili Peppers'
"Stadium Arcadium" (thanks to Vlado Meller - master of volume knob at
'11'), the vinyl version is the only one to bother with.


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