Archimago wrote: 
>  the intangible "something" that they identify as special about the
> system.

Philosophically some audiophiles have finally come to terms with this
and do extensive "ripping" of cherished vinyl .you can have your cake
and eat it too as many times as you like , realising that this "
something " is the mastering pressing and playing back of vinyl and that
it is fully captured by a digital recording .
A subset of those have even realised that 16/44.1 is more than enough to
capture that " something ". This is still somewhat thought as a heresy
by those why share these needle drops on the net .
I think "they"( sorry for,the lack,of a good source ) proved this
already in the 90's with cd recorders if anyone remember those .

In practice I would use 24 bit during the recording session to get
sufficient headroom for click pop and rumble and maybe downsample after
eventual,post processing and normalisation .

The missing part is the tactile experience of placing the record on the
platter brush of the dust and sink the needle on to a track. Any one
remember the hunt EDA carbon fibre brush ?. A couple of friends of mine
throw a party with this theme , they collected all the vinyls in the
group and found a somewhat working record player and these folks are not
audiophiles !

This is a journey for a vinylphile especially to philosophically accept
16/44.1 which is the evil CD :) and getting the wider picture that the
playback media is almost insignificant compared to the base qualities of
the recording and mastering itself . The media is just a carrier of the
information some media is not entirely transparent like Vinyl and
cassete tape and low rate mp3 but sometimes the options are limited.

Also I think the sound engineer comunity had a learning curve with thier
new toys too , specially that there is no added " secret sauce " when
the consumer plays it at home no added warmth it has to be in the
production . They did and sadly realised that things that where
impossible on vinyl could go on a digital media ( groove width speed and
riaa curve is adapted to fit music with " normal " spectral content on
the LP ) and started overloading the CD master with more HF content and
finally the uber compression fad .


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