SoftwireEngineer wrote: 
> And there are side-benefits in buying these Hi-Rez music (vs the
> theoretical non-advantages) - usually, the transfers to digital from the
> analog masters are done more carefully and with better quality digital
> equipment. Also, they pick good analog master tapes and good recordings
> (from sonics point of view) for these transfers.

Don't generalize! There are plenty of really bad and completely
worthless high resolution releases available. In the worse cases all
they do is upsample the CD master to "make" it high resolution. And what
happens with all those early all digital recordings which were recorded
at 16bit and a maximum of 48kHz?

Not to mention some of the choices for what recordings get the high
resolution audiophile treatment which is more often than not merely a
question of licensing. There are quite a few audiophile releases which
leave me scratching my head wondering what makes this POS worthy of an
audiophile release?


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