ralphpnj wrote: 
> But the real kicker is that while digital audio offers incredible
> dynamic range so many recordings available today have highly compressed
> dynamic range so much so that my original 1970's era Van Morrison LPs
> sound much better than any of the latest and greatest Van Morrison
> digital remasters! And this situation is not just limited to Van the
> Man.

Exactly. Although I have many older recordings of course, I am
particularly sad that all the advances in speakers, amps, 24-bit audio,
high sampling rate, low jitter, DSD, etc... have become the proverbial
"casting pearls before swine" for most modern recordings (especially in
the rock/pop genres). It makes it really hard to be a lover and CONSUMER
of "new music" to fork over cash and feel satisfied about the quality of
the product in an environment like this. "Customer satisfaction" is
important and I think that many of us have become very disillusioned by
what's out there.

An ironic, tragic, and sad situation.

For example, in 2012/2013, in order to get the best sounding version of
a new album like fun.'s "Some Nights", the digital audiophile is forced
to seek out a vinyl rip because both the CD and "hi-rez" 24/44 HDTracks
versions come from the same disgusting DR6 overcompressed and
fatigue-inducing mastering (I bought the CD, check out
http://www.dr.loudness-war.info/ for the HDTracks DR). The vinyl is
~DR10 (not great but not unreasonable). This is of course not unusual
and since I really quite enjoy this album, feel uncomfortable but have
downloaded the vinyl rip off "questionable" sources in order to have a
taste of what I feel should have been on that CD I purchased...

I don't know what "the fix" is, but it's a sick business model when it
seems like the "manufacturer" has to "break" the product in order to
sell it and the music fans (I'm sure on average the folks participating
in music forums like this one spend much more $$$ on the music than
average) are made to feel like criminals due to lack of options to
obtain what seems like the unbroken/reasonable quality.

(In a heartbeat I would join a music service that allows me to download
lossless 16/44 albums as either "compressed" and "uncompressed"
versions. I would gladly never look at nonsense like HDTracks again.)


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