Archimago wrote: 
> Yeah, I think the review is generally "fair" - no audiophile worship of
> the awesome 1-bit technology :-). The DAC also looks very nice!
> 
> However, I would say that his choice of music would not lend to
> demonstrate DSD's "superiority" at all (in fact, likely quite the
> opposite!).
> 
> Peter Gabriel's "So" I believe was recorded in PCM and the SACD has a
> very strong low-pass filter at ~20-21kHz. The 2012 24/48 release I bet
> would sound better to most people side-by-side plus it's got 3 bonus
> tracks!
> 
> Fagen's "The Nightfly" is well known to have been recorded in
> 16-bit/50kHz with 3M's digital tape system! Therefore, if you convert
> that to DSD, you gain nothing in terms of better dynamic range, and in
> fact likely worsened/colored the sound through the PCM --> DSD
> conversion. The "definitive" version would be the 24/48 DVD release from
> 2007. Now that would be a fascinating comparison - 24/48 vs. SACD with
> the tester knowing that technically 24/48 should be significantly
> superior due to nature of the source material!
> 
> The "Immersion" Blu-Ray of "Dark Side Of The Moon" in 24/96 from 2011 is
> also superior to the 2003 30th Anniversary SACD IMO.
> 
> Notice the trend here... Since the decline of SACD, better hi-res PCM
> remasters have been released which renders the old SACD versions moot.
> 
> BTW, as for Nick Drake - he died in 1974, the recordings on that album
> are from the late 60's to early 70's. I'm pretty sure standard 16/44
> would suffice to capture all that's needed... (I've heard that album in
> SACD - not blown away.)
> 
> One final point:
> "You can’t blame them – file sizes are large (DSoTM is 1.8Gb) and they
> are presumably still trying to pull customers into the hi-res PCM space,
> itself a niche within a niche. This renders DSD a niche (super hi-res)
> within a niche (hi-res) within a niche (digital audio)."
> 
> DSD (specifically DSD64 since this was what he listened to) is IMO
> categorically NOT "super hi-res". At best it's around 24/88...  Funny
> (annoying!) how these folks insist on exaggeration the capabilities of
> DSD.

The fact that he "clearly" identified the trend for better masters (at
least for those willing to read it that way) are actually the main
reason I posted this here. I'm blisfully unaware of the exact recording
+ mastering techniques used for various records, but even in my modest
system I can quite easily hear the difference between better masters and
what I would consider flawed ones. That doesn't mean they are actually
measurably any worse, just that I don't like them, which in the end is
what it's all about.
This is also the reason why I'm not too unhappy about this Hi-Res trend:
with some luck we can have better masters released in these formats ;)


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