cdmackay wrote: 
> [apologies for late reply]
> 
> I've whimpered about this before, but I still hold out hope of a
> resource, listing recordings available in hi-res, with notes on the
> various versions, and how they relate to original mastering, etc.
> 
> e.g. just as you say, "this recording was originally recorded in DSD,
> and thus this SACD version is the best available", or "these 24/96 files
> are in fact upsampled from some old vinyl that the engineer found in his
> lavatory", etc, etc.
> 
> I would love to see that, rather than have to fight with the loonies in
> various HD forums; after getting used to the sense talked here, I can't
> bear it...

+1 that .

Then we get things back into proportions , it is the master and the real
recording quality that is the issue , not the consumer carrier format ,
which is completely unimportant as long it's 16/44.1 lossles or better
just pick any .

That said converting good SACD's that where sourced from analog to
something like 24/88.2 would actually be a good idea . you would
theoretically have a possibility of a small conversion loss , but that
"loss" would not be audiable to a human being in any case .

Another issue is how these newfangled DSD DAC's really works , like any
imperfect tech they seems not to treat all signal equally ?
If there is a difference in sound DSD vs PCM I gues you should look for
problems in the DAC or the source material .
Yes that's my 0.02$ on it if anything >16/44.1 sounds different it's in
the DAC or the source material . either the DAC designs is off or the
different sources does not really sound the same due to different
masters or engineering mistakes.

You can test part of it , convert a good real 24/192 track to any/all
formats >=16/44.1 yourself and try out if it sounds really different you
got an issue . or you could turn it , if you really like your DAC you
migth find out which kind of signals it works best with . if it is a NOS
DAC wo filters as high as possible is a good guess .



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