> Ah balls, I thought it was gonna be fine :( very sorry

Sorry for the inconvenience, and thanks for this updated e-mail!
Please add the most important parts of your findings to the
corresponding issue

  https://gitlab.com/lilypond/lilypond/-/issues/6776

For completeness you might also reference your e-mails as found in the
list archive, for example

  https://lists.gnu.org/archive/html/bug-lilypond/2025-11/msg00014.html

> I'm disinclined to believe Petrucci ever did 32nd notes bc they
> would honestly look kinda fugly with that tall-ass flag, unless he
> did them something like the proof-of-concept-esque thing I threw
> together in inkscape in 5 minutes to theorise what we could do if we
> have to make up a glyph ourselves (forgive my use of "we"):
>
> [image: image.png]

This looks very nice, thanks!

> The rest of the e-mail was just me suggesting a neo-mensural flag
> style to have smth more solid for neo-mensural [...]

Please open an issue in our tracker and present your findings and
suggestions.  However, [...] 

> Anyway all the samples were from here
> https://ks15.imslp.org/files/imglnks/usimg/0/01/IMSLP107012-PMLP218008-apollosbanquet_5th_ed_1.pdf
> and p. 8 is particularly good.

[...] I think these flags are not suited for a 'neomensural' style, to
be used in incipits in modern editions.  To be honest, I consider them
as rather ugly.  For me, they represent just another flag style from
this typesetting era.

Of course, the main question is what flag style should actually be
used for 'neomensural'.  For me, something based on the Petrucci flags
look most elegant.  It might be interesting to check what other,
modern editions with overall good typography use for flags in incipits
(probably from an edition created before computer typesetting) – I
fear that a search on IMSLP won't work; this is rather a music library
job.  The most difficult thing of course is to find an incipit that
actually contains two-flag glyphs...

If I find some time I'll visit the Mozarteum library in Salzburg for
complete editions of composers from that era.  But maybe you are
quicker than me :-)


    Werner

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