Chris Kermiet has a fun dance called "Becket's Crossing" that is a 'grid 
contra', eg, you PROgress up and down the hall and you TRANSgress across the 
hall. I've called this dance for years and enjoyed it. (Dance included at 
bottom).

However, for years I have yearned to have a dance that did this in someway 
other than simply 'pass through two' which felt choreographically cheap. 
Perhaps I am a snob. More likely, I just wanted to have my own 'grid contra'. I 
have tried many times over the years, never fully successfully.

I came the closest with this latest version:

Title: Transgression
Author: Seth Tepfer
Formation: becket, grid contra (numerous lines, mostly equal length)
A1: Balance the ring, spin one place to the right and turn a little more to 
face a new line; balance the ring, pass through
A2: Gents allemande right 1.5; neighbor swing
B1: Gents pass left for half a hey, ladies allemande left (break the hey) and 
partner swing
B2: Long lines forward and back; circle left 3/4, pass through up and down
Notes:
Notes:
*When the initial spin puts you facing a wall, do a CA twirl to face back in.
*When hitting a wall, just like when being out at the top or bottom, you will 
change direction.
*Yah, this has a pass through also. I feel choreographically cheap.

Folks said that this dance worked for the ones in the middle. The folks in the 
top and bottom said they kept getting spit out. So, with 5 lines, we had 10 
couples who were in, then out, then in, then out. No fun for them.  I have 
parsed this and used coins, and cannot see how this is happening. I must be 
missing something obvious. However, I received this feedback from multiple 
couples, so I suspect it is true.

The obvious fix for this would be to make it double progression (while single 
transgression). One simple solution would be:
B2: Long lines forward and back; with the couple on the left diagonal, circle 
left 3/4, pass through up and down

However, since I can't see the problem, I'm worried this isn't fixing it.

I'm hoping the many brilliant minds on this list will have some insights
Thoughts, comments, suggestions, smart remarks?





Title: Becket's Crossing
Author: Chris Kermiet
Formation: becket, numerous lines, mostly equal length
A1: Left diagonal, right and left through, straight across right and left 
through
A2: Ladies Chain over and back
B1: Shadow* allemande left, partner swing
B2: straight across, pass through two (lines); long lines forward and back
Notes:
* Shadow is person on gents left, ladies right (or, at ends, across from you). 
It may not be the same person every time.
**When doing this dance, most everyone will travel all over the set. There are 
two eddies: the top right corner and bottom left corner. Folks there will get 
stuck, and everyone else will come visit them. That is as it should be. To 
correct this, change the "Left diagonal" to "Right diagonal" which will swap 
the eddies to the top left and bottom right. Alternatively, abandon the 64-bar 
form, and change up the 'pass through two' with 'pass through 4' or even 'pass 
through six'.
***Note that I may not have gotten the order exactly right. It might actually 
start with A2, I don't right remember, exactly.


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