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Today's Topics:
1. Re: three couples or less (Sue Robishaw)
2. Re: Three Couples or Less Dances (Jacob Nancy Bloom)
3. Re: three couples or less (Yoyo Zhou)
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Message: 1
Date: Sun, 02 Mar 2014 21:33:09 -0500
From: Sue Robishaw <[email protected]>
To: [email protected]
Subject: Re: [Callers] three couples or less
Message-ID: <[email protected]>
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
<snip> In the B2 of the dance, Microchase you say "Turn Single (spacer if needed.")
Is that because there's music left over after the arch and all thru? <snip>
Yes, I'd simply changed from the Contra Corners in the original to DoSiDos but
almost always had time left so ended up adding the TS. I like your arrangement
though and look forward to trying it. Even better, it starts with something other
than F&B! I just realized I only have one dance in about 50 that has arming in
it (other than ECD). Don't know why I didn't notice that before. Thanks!
Sue
------------------------------
Message: 2
Date: Sun, 2 Mar 2014 21:46:43 -0500
From: Jacob Nancy Bloom <[email protected]>
To: [email protected]
Subject: Re: [Callers] Three Couples or Less Dances
Message-ID:
<CAJPS8NhT+vUyB+4qZVFtET72EVWJ6gzTKZM=dk2tsbxhdhk...@mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1
Hi Rich,
Ted's Triplet #3 has already been mentioned. Of Ted's Triplets, it's the
only one I know of that's suitable for a less-experienced group.
My dance The Luck of the Morris is in Zesty Contras, in Larry Jennings'
version. Here's my version:
Formation: From a three couple longways set, have ladies #1 and #3 change
places, and have lady #2 and gent #2 change places with each other, to get
a circle with each dancer's partner across from them. Dancers retain their
numbers throughout the dance. The dance is not square with the walls of
the room.
A1: Couple #1 lead a forward six and back [1]
All swing opposite. End couples end their swing facing the center
of the set, and the active couples end facing either of the other two
couples
A2: Active couple ladies chain with the couple you face
Chain back with an extra half turn to face the other couple
B1: Actives half R&L with the couple they face
Actives down center of set and cast off
B2: Circle 6 to the left
All go forward and back
Repeat with couple two leading the first Forward & Back, then couple three.
[1] The forward and back is oriented so that the active couple is going
forward and back to each other, and the other four dancers are going
forward and back towards someone who is not their partner.
For two-couple dances, both Billingsdale Pattern by Chip Hendrickson and
O'Donnell Anew by Tony Saletan are in Zesty Contras.
General Dummer's Reel (for five), my dance Shira's Seven (for seven), and
Cornish Six Hand Reel (for six) are three other dances I've found useful.
They are described in the archives, at:
http://www.sharedweight.net/pipermail/callers/2013-February/005742.html
Jacob Bloom
Date: Fri, 28 Feb 2014 08:01:29 -0800 (PST)
From: rich sbardella <[email protected]>
To: "[email protected]" <[email protected]>
Subject: [Callers]
Three Couples or Less Dances
Message-ID:
<[email protected]>
Content-Type: text/plain; charset=iso-8859-1
Friends,
I have a small weekly dance session with seniors in CT and often lack
dancers.? If anyone could share dances for 5 or 7 people, or two or three
couples, I would?greatly appreciate it.? I often fall back on solo lines
similar to the electric slide, or I dance them in squares with a phantom
(not too successful).
Thanks,
Rich Sbardella
Stafford, CT
------------------------------
Message: 3
Date: Sun, 2 Mar 2014 22:15:07 -0800
From: Yoyo Zhou <[email protected]>
To: [email protected], "Caller's discussion list"
<[email protected]>
Subject: Re: [Callers] three couples or less
Message-ID:
<capncxwhznyefyv_c6brrurebkd3gtkwafusgdgfavmna9zw...@mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1
On Sun, Mar 2, 2014 at 6:33 PM, Sue Robishaw <[email protected]> wrote:
<snip> In the B2 of the dance, Microchase you say "Turn Single (spacer if
needed.") Is that because there's music left over after the arch and all
thru? <snip>
Yes, I'd simply changed from the Contra Corners in the original to DoSiDos
but almost always had time left so ended up adding the TS. I like your
arrangement though and look forward to trying it. Even better, it starts
with something other than F&B! I just realized I only have one dance in
about 50 that has arming in it (other than ECD). Don't know why I didn't
notice that before. Thanks!
I believe the original (Microchasmic) has B1 partner balance and
swing, B2 all cast off and 1s arch and the rest go through. It looks
like your variation changes the 16-count balance and swing to an
8-count 2-hand turn, which is where the extra time to turn single
comes from. The cast off and arch ("peel the banana" I've heard it
called) feels to me like a single figure, so I like it being all in
one phrase.
I do like Tom's suggestion; the partner left arm turn flows nicely to
the first corner.
Yoyo Zhou
------------------------------
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End of Callers Digest, Vol 115, Issue 2
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