My concern with introducing CC in  triplet is if you do that and then turn 
around and do it in a contra you have done it twice in one program - and 
probably very close together.  I wouldn't want to do that
Mac McKeever
    On Thursday, February 21, 2019, 12:12:29 AM CST, Chris Page via Callers 
<[email protected]> wrote:  
 
 Like many others, I recommend a triplet or 3-face-3. You're not going
out of your minor set, and not everyone's active all the time.

I recommend:
Corner Triplet (Linda Leslie)
Melanie's Triplet (Melanie Axel-Lute)
Microchasmic Triplet (Ann Fallon)

or

Down by the Riverside (3-face-3 by Melanie Axel-Lute)

I don't recommend Ted's Triplet #7, because it also includes a proper
right-and-left through, which many people these days are more
unfamiliar with than contra corners.

-Chris Page
San Diego, CA

On Wed, Feb 20, 2019 at 1:38 PM Hannah Chamb via Callers
<[email protected]> wrote:
>
> Hi all, first time posting here!
>
> I'm new-ish to calling and I've yet to call contra corners. I think I'm up 
> for the challenge and could teach the figure itself, but I still think it's a 
> tricky one for dancers in all but the most experienced crowds. A few callers 
> I know have advised me to build up to a challenging figure like contra 
> corners over the course of an evening by calling dances that echo the skills 
> the dancers will need later.
>
> With that in mind, what dances would you call early in the evening in a 
> mixed-level group that would help "teach" dancers the skills they need to be 
> successful at contra corners?
>
> I've been thinking I should include an easy proper-ish dance, and maybe a 
> dance with allemandes outside the minor set... anything else come to mind?
>
> Thanks in advance,
> Hannah Chamberlain
> Westbrook, ME
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