Mac,

Callers do that all the time with hey for four--which I think is harder for inexperienced dancers than contra corners because there's less connection with the other dancers.

Bob

On 2/21/2019 8:14, Mac Mckeever via Callers wrote:
  My concern with introducing CC in  triplet is if you do that and then turn 
around and do it in a contra you have done it twice in one program - and 
probably very close together.  I wouldn't want to do that
Mac McKeever
     On Thursday, February 21, 2019, 12:12:29 AM CST, Chris Page via Callers 
<callers@lists.sharedweight.net> wrote:
Like many others, I recommend a triplet or 3-face-3. You're not going
out of your minor set, and not everyone's active all the time.

I recommend:
Corner Triplet (Linda Leslie)
Melanie's Triplet (Melanie Axel-Lute)
Microchasmic Triplet (Ann Fallon)

or

Down by the Riverside (3-face-3 by Melanie Axel-Lute)

I don't recommend Ted's Triplet #7, because it also includes a proper
right-and-left through, which many people these days are more
unfamiliar with than contra corners.

-Chris Page
San Diego, CA

On Wed, Feb 20, 2019 at 1:38 PM Hannah Chamb via Callers
<callers@lists.sharedweight.net> wrote:

Hi all, first time posting here!

I'm new-ish to calling and I've yet to call contra corners. I think I'm up for 
the challenge and could teach the figure itself, but I still think it's a 
tricky one for dancers in all but the most experienced crowds. A few callers I 
know have advised me to build up to a challenging figure like contra corners 
over the course of an evening by calling dances that echo the skills the 
dancers will need later.

With that in mind, what dances would you call early in the evening in a mixed-level group 
that would help "teach" dancers the skills they need to be successful at contra 
corners?

I've been thinking I should include an easy proper-ish dance, and maybe a dance 
with allemandes outside the minor set... anything else come to mind?

Thanks in advance,
Hannah Chamberlain
Westbrook, ME
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