Thank you Martin, Daniel.

So far stopmotion looks exactly like what I was looking, something kids can make sense of right off the bat.

pitivi.org does not respond. NLE does sound exciting, though. I will insist later

Yama


Daniel Jircik wrote:
Have you seen this?
http://stopmotion.bjoernen.com/


On Thu, May 22, 2008 at 10:05 AM, Yama Ploskonka <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> wrote:

    I've used this very expensive thing once, and always dreamed for a
    simple software solution.
    http://www.animationtoolworks.com/

    If someone could develop something like this that could be used by
    the One Laptop Per Child project, I would be so happy, and so would
    be a bunch of kids.

    Basically the lunchbox has a *simple interface* that lets you
    capture a frame, sets it up in a sequence, lets you review that
    sequence and edit it (add frames and/or erase them), save it and
    start another sequence. Fancier options let you change fps, and that
    sort of thing, but you don't really need that.  The key is the
    simple interface for capture of the frames and review.

    Someone feels like doing something like that?

    Yama

    Andrew Hunter wrote:

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        Daniel Jircik wrote:
        | I just picked up a Mitchell 35 mm film camera. I'm planning on
        doing a
        | short stop action piece with it hopefully in August..
        | http://reggaecobras.com/blog/?page_id=25
        | Anyone have in Cineon workflow experiences to share? It's got
        reflex
        | viewing so I was thinking of setting up the viewfinder with an RGB
        | lightsource and doing my own 4k scan.
        | ciao
        | Daniel

        For the love of goodness, make sure that the velvet rollers in
        the mag
        are clean. That was the largest flaw of Mitchell style mags, if
        those
        rollers get dirty, it's almost less work to just replace it.

        As for a (untested) Cineon workflow, your best bet would be
        import the
        image sequence into blender on a shot by shot basis and doing
        all of you
        compositing in there.

        Thanks,

        Andrew.
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