Study the photos of the Gibson cittern:

http://www.palmguitars.nl/archive/tales/wgibson.html

The thumb groove in the neck confirms a very un-classical way of 
handling - but... it would really have been needed, because this is not 
a six-course model, it has seven courses: three single basses, then 
three paired mean and treble courses, and a high single chanterelle 
string. I have not come across this configuration before and the ivory 
nut etc all looks original, with a string spacing to suit.

Also, see the brass soundhole rose. Clearly pictured are two fiddles 
(mirrored), two guitars (cittern-guitar hybrid, could be meant to be a 
regular baroque guitar, or a cittern) with frets, and Irish wooden 
flutes of the period. OK, maybe they didn't sit in the pub playing 
Planxty Irwin, but that rose certainly says 'guitar/cittern fiddle 
flute' which supports my general feeling that instruments which go so 
well together today have gone well together in the past, and modern 
sessions using guitar or cittern are not anachronisms even if the 
setting and style may be.

Great stuff Rob.

I have been told maybe by you or others that the Gibson Dublin to Gibson 
USA connection is unlikely or not the case. This shop proprietor also 
seems to say he has no real idea.

David

Rob MacKillop wrote:

> I've just got back from a family trip to Amsterdam. What a beautiful place!
> Found a haven for old guitars, citterns, and various Asian instruments:
> www.palmguitars.nl
> 
> One of the thousand or so instruments on display was a pristine Dublin
> Gibson 'guittar' from c.1765. I immediately enquired about the price, only
> to be told that it was the one instrument not for sale! The guy, Soren
> Venema, thinks that Orville Gibson of THEE Gibson guitars is related to the
> Dublin Gibson. And he further believes that, if he is right, he is sitting
> on a fortune, as he has 'the earliest Gibson guitar'... Well...I actually
> don't have proof that he is wrong! Does anyone?
> 
> Rob
> 
> 
> 
> 
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