At 03:56 PM 10/27/2006, you wrote:

>Looking at Andrew's table (based on Dolata) and looking at the cents for
>the frets given for these three instruments is utterly baffling. Partly
>I'm stuck because Andrew's table concerns a 'g' top course and the top
>course of a cistre is 'e'. The first fret of a 'g' instrument could be
>g# or a flat , and the meantone differences are huge. I'm not sure how
>to transpose this to an instrument with an 'e' top course. Is the first
>fret on an 'e' top course the equivalent of a g# or an a flat on a 'g '
>instrument?

The chart I included on my page was originally intended for a Ren. 
lute with a top string of G. The funny thing about temperaments is 
that you can decide where to place the wolf fifth, so some changes 
may be necessary for differently "keyed" instruments, depending upon 
which keys you plan to play in.

I have to confess, I don't know much about these later 
citterns/gitterns/guittars/etc., including tunings, so I may be of 
little help there.

However, in looking at the three charts Stuart sent and by comparing 
the cent values to those on the chart on my page, it looks to me as 
if they are supposed to be equal. One possibility to account for the 
discrepancy is that some simplified form (such as the "rule of 18") 
may have been applied, which gives one an octave which is not quite 
true. If one then shifts the bridge so as to obtain the correct 
octave placement, the cent values for the other frets should then go 
up. That, coupled with human error or imprecision in placing the 
frets, would give the slight variation in both instruments 619 and 
620. (Note that all of the frets are "sharp" except for the 12th).

This does not explain 618, which may have had a slight shift in 
temperament away from equal (1/10 comma, perhaps? done by ear?).

The other thing for which to account is the fact that the actual fret 
placement may be slightly different than an absolute scientific value 
due to the sharpening in pitch that occurs as a result of the string 
being additionally stretched when depressed (maybe making 618 a more 
desirable model?).

-Andrew

http://www.studia-instrumentorum.de/MUSEUM/ZISTER/0618.htm
http://www.studia-instrumentorum.de/MUSEUM/ZISTER/0619.htm
http://www.studia-instrumentorum.de/MUSEUM/ZISTER/0620.htm








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