Hi Roger,
 
I don't quite see how I have spoiled it for you.
If you like the recording, even if it was recorded with a dime-store mandola, 
(which I don't think it was and also did not suggest) then I see no reason why 
you should not carry on enjoying it.
 
I just wanted to point out that the instrument is probably not what we may mean 
by ceterone - a theorbo cittern.
 
All the best
Mark

Hi Mark;

I'm sorry there's so much contempt going around for players of single-strung
archlutes and theorbos (assuming you're correct that that's all Luca ever
plays or has played)-- the topic took up a lot of bandwidth on the lute list
recently (which I didn't follow closely) with regard to Sting's instrument.

Whatever Luca is playing on those tracks I doubt it's some dime-store garden
variety modern folk or "Irish" "cittern", octave-mandola thingy or whatever
the frell they're calling them these days. As far as altered tunings go,
open chord or not, I'd be surprised if no-one ever experimented, got
creative, broke the "rules", adapted tunings from any other string
instrument, wire or gut, to suit their wants and needs of the moment, their
arrangements, etc. All I know is that I loved the sound of it, loved the
music when I heard it -- until you spoiled it for me, took the joy out of
it. 

Thank you. Put a feather in your cap, wear it with pride.

I would have thought it a "good thing" that modern players of early
wire-strung instruments might take a little inspiration from, get some ideas
from, hearing _any_ combination of viol and some wire-strung instrument
played together (and nicely done at that). The pairing and contrast _is_
very pleasant, very appealing, and in fact was _very_ common and widespread.
It's a shame that that the entire wire-strung class of early instruments
have gotten so little air-time and attention within the period music scenes
generally and their total recording output. I do hope that changes.

"Fantasy" and music are one!  (fer Christ's sake)

Roger

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