> I don't quite see how I have spoiled it for you.
> If you like the recording, even if it was recorded with a dime-store 
> mandola, (which I don't think it was and also did not suggest) then I see 
> no reason why you should not carry on enjoying it.
>
> I just wanted to point out that the instrument is probably not what we may 
> mean by ceterone - a theorbo cittern.
>
> All the best
> Mark
A mere suspicion is rather insufficient for an accusation.
Do some research, contact Luca in Lugano (he IS in the phone book, but has 
no e-mail, no computer...)
RT


> Hi Mark;
>
> I'm sorry there's so much contempt going around for players of 
> single-strung
> archlutes and theorbos (assuming you're correct that that's all Luca ever
> plays or has played)-- the topic took up a lot of bandwidth on the lute 
> list
> recently (which I didn't follow closely) with regard to Sting's 
> instrument.
>
> Whatever Luca is playing on those tracks I doubt it's some dime-store 
> garden
> variety modern folk or "Irish" "cittern", octave-mandola thingy or 
> whatever
> the frell they're calling them these days. As far as altered tunings go,
> open chord or not, I'd be surprised if no-one ever experimented, got
> creative, broke the "rules", adapted tunings from any other string
> instrument, wire or gut, to suit their wants and needs of the moment, 
> their
> arrangements, etc. All I know is that I loved the sound of it, loved the
> music when I heard it -- until you spoiled it for me, took the joy out of
> it.
>
> Thank you. Put a feather in your cap, wear it with pride.
>
> I would have thought it a "good thing" that modern players of early
> wire-strung instruments might take a little inspiration from, get some 
> ideas
> from, hearing _any_ combination of viol and some wire-strung instrument
> played together (and nicely done at that). The pairing and contrast _is_
> very pleasant, very appealing, and in fact was _very_ common and 
> widespread.
> It's a shame that that the entire wire-strung class of early instruments
> have gotten so little air-time and attention within the period music 
> scenes
> generally and their total recording output. I do hope that changes.
>
> "Fantasy" and music are one!  (fer Christ's sake)
>
> Roger
>
> --
>
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> 



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