SYMPOSIUM
PAINTINGS ON COPPER (AND OTHER METAL PLATES): PRODUCTION, DEGRADATION AND
CONSERVATION ISSUES
January 27th-28th, 2007
The international symposium, 'Paintings on copper (and other metal plates).
Production, degradation and conservation issues' is organized jointly by the
Polytechnic University of Valencia (UPV) , The University of Valencia (UV)
and Subdirección de Conservación, Restauración e Investigación IVC+R de
CulturArts Generalitat Valenciana.
This conference will provide a forum to conservators-restorers, conservation
scientists, art historians and related professionals to discuss issues such
as:
* Historical and artistic aspects of the production of paintings on
metal plate.
* Characterization of materials present in paintings on copper and
other metal plates.
* Interaction between paint films and metal substrates. Influence on
the stability of paintings.
* Degradation of paintings on metal plate. Common alterations and
degradation mechanisms.
* Conservation treatment of paintings on metal plates. Ethical and
aesthetic dilemmas.
* Limitations of common conservation treatments traditionally used in
easel paintings. Latest research.
* Display, handling, transport and storage of paintings on metal
plate. Guidelines for their preservation to minimize degradation.
* Case studies related to the theme of the symposium
Venue
Alfons Roig Auditorium
Faculty of Fine Arts
Polytechnic University of Valencia (Spain)
Program
January 27th, 2017
8.30-9.00 REGISTRATION
9.00-9.20 INSTITUTIONAL OPENING
9.20-10.00 Keynote speech: "Paintings on copper supports:
an overview of their conception, creation and conservation"
Isabel HOROVITZ, The Painting
Conservation Studio (London , UK)
10.00-10.30 "The Spanish connection. The making and trade of
Antwerp paintings on copper in the 17th century"
Jørgen WADUM, Centre for Art
Technologial Studies and Conservation CATS (Copenhaguen, Denmark)
10.30-11.00 COFFEE BREAK
11.00-11.30 "Reconstruction of a late sixteenth century
painting on a copper support: Hendrick van Balen's 'Adoration of the
Shepherds' from the Fitzwilliam Museum"
Alison STOCK, City & Guilds of London
Art School (London, UK)
11.30-12.00 "Preparation techniques and their impact on the
conservation of copper paintings"
Nico BROERS, Ècole Saint Luc (Liège,
Belgium)
12.30-13.00 "Chemical, physical and mechanical decay
procedures in oil painted copper objects"
Lydia C. PAVLOPOLOU, Freelance
conservator (Athens, Greece)
13.00-14.30 LUNCH
14.30-15.00 "Silvered" copper plates: A study of material,
technique and function of a rare metal support for paintings"
Anne SCHMID, Fondation Beyeler (Basel,
Switzerland)
15.00-15.30 "Painting on metal plate in the 19th century:
Pérez Villaamil and his 'Vistas Monumentales' (Dyptic, oil on tinplate)".
Lucía MARTINEZ, Museo del Prado (Madrid,
Spain)
15.30-16.00 "Investigation and testing to develop an infill
formula suitable for oil paintings on copper"
Daniel Vega, Isabel Pombo Cardoso &
Leslie Carlyle, Universidad Nova Lisboa (Lisbon, Portugal)
16.00-16.45 COFFEE BREAK
POSTER SESSION-1
16.45-17.00 "A look into some factors influencing the film
forming properties of oil paint films in copper paintings and the effects of
environment in their structural behaviour"
Laura FUSTER-LÓPEZ, Universitat
Politècnica de València (Valencia, Spain) and Marion F. MECKLENBURG,
Snithsonian Institution (Washington DC, USA)
17.00-17.15 "A Saint Jerome after Palma il Giovane: artistic
invention and the practice of painting on copper in the age of printmaking"
Roxane Sperber (Andrew Mellon Fellow in Painting Conservation at the
Worcester Art Museum, USA), Anna Koopstra (Simon Sainsbury Curatorial
Assistant, Paintings before 1500 at the National Gallery London, UK)
17.15-17.30 "Creating An Enduring Image: An investigation
into the materials and techniques of Scipione Pulzone's Portrait of Cardinal
Antoine Perrenot de Granvelle (1576, oil on
copper, 81.7cm x 61.6cm, Courtauld Gallery)"
Sally Higgs, Alexander J. Noelle,
Courtauld Institute of Art (London, United Kingdom)
17.30-17.45 "The collection of copper paintings at the Museo
de Bellas Artes de Santa Cruz de Tenerife"
Antonio Marrero Alberto, Freelance
conservator (Tenerife, Spain)
17.45-18.00 "Conservation project of a collection of Flemish
copper paintings"
Rocío Magdaleno Granja, Mª Auxiliadora
Gómez Morón, Instituto Andaluz de Patrimonio Histórico (Sevilla, Spain)
18.00-18.15 "Gerard ter Borch: copper versus canvas - a
comparison"
Susanne Stangier, Freelance conservator
(Guttecoven, The Netherlands)
18.30-20.00 EVENING RECEPTION
January 28th, 2017
POSTER SESSION-2
9.00-9.15 "Metal supports receptors of color, magic
incantations and images in the Greco-Roman magic"
M. Luisa Vázquez de Ágredos-Pascual , M.
Julia Martínez García, Universitat de València (Valencia, Spain)
9.15-9.30 "Scientific and technical analysis of copper
paintings: some case studies"
Mª Francisca SARRIÓ MARTÍN, Inmaculada CHULIÁ BLANCO, Livio FERRAZZA
(Subdirección de Conservación, Restauración e Investigación IVC+R de
Culturarts-GVA), José Antonio MADRID GARCÍA (Universitat Politècnica de
Valencia), Juan PÉREZ MIRALLES (Servicio de Conservación y Restauración de
Bienes Culturales de la Diputación de Castellón) (Valencia, Spain)
9.30-9.45 "Theoretical and practical considerations on
the presence of lead soaps in the degradation of an 18th century oil
painting on copperplate"
Filip Adrian Petcu, West University of
Timişoara (Timişoara, Romania)
9.45-10.00 "Technical and scientific analysis of 18th
century copper paintings: "Immaculate conception" and "Madonna with the
child
Guillermo Martín Quesada, Nuria
García-Valenzuela Parera, Luis Rodríguez-Simón, Universidad de Granada
(Granada, Spain)
10.00-10.15 "Conservation project of two 18th century copper
paintings from the collection at the Diputación de Valencia"
Cristina Vázquez Albaladejo, Adela
Murgui Cervera, Aida Roda Ciudad, Diputación de Valencia (Valencia, Spain)
10.15-10.30 "Restoration of double-sided painting on copper
plate in Lithuanian Art Museum"
Ruta Kasiulyte, Lithuanian Art Museum
Pranas, Gudynas Restoration Centre (Vilnius, Lituania)
10.30-11.15 COFFEE BREAK
11.15-11.30 "Reassessment of a consolidation treatment:
Investigation and conservation of a persistent paint layer delamination on a
19th century tin-plated iron support painting"
Christina Kapeundl, Anke Schäning,
Wolfgang Baatz, Institute of Conservation-Restoration, Academy of Fine Arts
Vienna (Vienna, Austria)
11.30-11.45 "Investigations into paint delamination and
consolidation of an oil painting on copper Support
Maria Leonor Oliveira, Leslie Carlyle,
Sara Fragoso, Isabel Pombo Cardoso (Universidad Nova Lisboa) João Coroado
(Instituto Politécnico de Tomar) (Lisbon, Portugal)
11.45-12.00 "Signposts from the collection of the
Auschwitz-Museum"
Gunn Pöllnitz, Manfred Schreiner,
Institute of Science and Technology in Art, Academy of Fine Arts (Vienna,
Austria)
12.00-13.00 Panel discussion and closing remarks
13.00-15.00 LUNCH (ticket required)
17.00-18.30 VISIT TO SANTOS JUANES CHURCH (ticket required)
More information at:
conservacion <mailto:conservacion&[email protected]> &[email protected]
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Laura FUSTER LÓPEZ, PhD
Profesora Titular de Universidad
UNIVERSIDAD POLITÉCNICA DE VALENCIA | Dept. Conservación y Restauración de
Bienes Culturales | Camino de Vera s/n | 46022 Valencia (Spain) | Phone:
+34 963 877 310 (ext. 73106) | E-mail: [email protected]
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