Symposium Around Picasso: an insight into the relationship between material choices and failure mechanisms
NOVEMBER 29TH, 2018 8.30-9.00: Registration 9.00-9.15: Institutional welcome. Emanuel GUIGON, Reyes JIMENEZ GARNICA 9.15-9.30: Presentation of ProMeSA Project. Laura FUSTER LOPEZ 9.30-10.00:Failure mechanisms in painting. Marion F. MECKLENBURG 10.00-10.30: Micromechanics of historic and modern paints. Michal LUKOMSKI 10.30-11.00: Predicting metal soap formation and mechanical damage in historical oil paintings: a multi-physics chemo- mechanical model. Emanuela BOSCO, Gijs J.A.M. EUMELEN and Akke S.J. SUIKER 11.00-11.40: Coffee Break 11.40-12.00: Case study 1: 1917 Paintings: the role of grounds in the failure mechanisms. Cecil K. ANDERSEN and Anna VILA 12.00-12.20: Case study 2: The Three Dancers: preventive conservation measures to preserve the three images present on the canvas. Annette KING and Joyce H. TOWNSEND 12.20-12.40 Case study 3: New insights into Pablo Picasso’s Blue Period paintings using in-situ infrared reflectance and x-ray fluorescence imaging spectroscopy combined with micro-analyses of samples. Emeline POUYET, Kenneth BRUMMEL, Francesca CASADIO, Sandra WEBSTER-COOK, Catherine DEJOIE, John DELANEY, Gianluca PASTORELLI and Marc WALTON 12.40-13.00: Case study 4: Pablo Picasso's Mother and Child by the Sea (1902). Keiko IMAI, John DELANEY, Sandra WEBSTER-COOK and Reyes JIMENEZ GARNICA 13.00-13.20: Case study 5: Scenes from the life of Picasso’s Still Life (1922): history, materials, and conservation. Allison LANGLEY, Kimberley MUIR and Ken SUTHERLAND 13.30-15.00: Lunch 15.00-15.20: Case study 6: The Revelation of What Lies Beneath: The Link Between Picasso’s Rue de Montmartre (1900) and Le Moulin de la Galette (1900). Will SHANK 15.20-15.40: Case study 7: Picasso’s acrobat family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art. Mariateresa PULLANO, David BUTI, Eleonora PAPA, Eva NYGÅRDS, Loa LUDVIGSEN and Jorgen WADUM 15.40-16.00: Case study 8: A Picasso paper collage of 1913–14: assessment of fragility and sensitivity to light. Charity FOX, Joyce H. TOWNSEND and Betty SACHER 16.20-16.50: Coffee break 16.00-16.20 Case study 9: Pablo Picasso in La Coruña: painting technique and links to 19th century procedures. The Portrait of a Bearded Man (1895) Clara BODÍA, Lorenzo HORTAL, Adelina ILLÁN and Rafael ROMERO 16.50-17.10: Case study 10: From the movement of works to the movement of materials. Claire GUÉRIN 17.10-17.30: Case study 11: A study on the impact of cleaning processes by swab rolling and combination of a LiquidDispensing and Micro-Aspiration Device for the Sensitive Painted Surfaces as Picassos. Pierre Antoine HERITIER 17.30-17.50: Case study 12: Stratums as Representation: Picasso’s Interest in the Painting Layers from 1907 to the 1920s. Chikako TAKAOKA 17.50-18.10: Case study 13: A new insight into Science and Charity. Reyes JIMÉNEZ GARNICA 18.10-18.30: WRAP UP VENUE: Museu Picasso Lecture Hall Plaça Sabartés 1 Limited capacity Registration fee: 20 Euro Registration period: from October 15th through November 28th, 2018 Previous registration is needed: [email protected] ****** Unsubscribe by sending a message to [email protected] Searchable archives: http://cool.conservation-us.org/byform/mailing-lists/cdl/
