Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. Andrew W. Mellon Fellowship in Photograph Conservation at the National 
Gallery of Art, Washington DC

 2. RE: Recommendations for Re-gilding Techniques for Porcelain?

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1.From: Margaret Wessling
 Posted: Sunday November 16, 2025  9:12 AM
 Subject: Andrew W. Mellon Fellowship in Photograph Conservation at the 
National Gallery of Art, Washington DC
 Message: Andrew W. Mellon Advanced Training Fellowship in Photograph 
Conservation

The National Gallery of Art is offering a fellowship in the Photograph 
Conservation Department supported by an endowment from the Andrew W. Mellon 
Foundation. The three-year fellowship will commence in September of 2026 and 
include a yearly stipend of $53,000 plus health benefits and $3,000 each year 
for travel and research. Fellows will receive transit benefits towards their 
commuting costs to and from the National Gallery.

Working under the guidance of the National Gallery’s conservators and 
scientists, the fellow will focus on two aspects:  treatment of the collection 
and a self-selected research project that culminates in a publishable paper. 
The fellow will have the opportunity to collaborate with conservators, 
scientists and curators. They will also have access to the National Gallery’s 
collections and to advanced analytical instrumentation available in the 
scientific research department. Lectures, symposia, and informal discussions at 
the National Gallery of Art contribute to the fellowship program.    

Eligibility

Candidates should be graduates from a recognized master’s program in 
conservation or have equivalent training. They should have no more than five 
years of work experience after graduation and a proven record of research and 
writing ability. Candidates must possess English language skills. 

Application Procedure

Interested candidates must submit the following materials in English:

• Transcripts of both undergraduate and graduate courses of academic study 
(unofficial copies are acceptable)

• A curriculum vitae including basic biographical information and current and 
permanent addresses, telephone number, and a description of previous 
conservation experience and internships

• A statement of interest and intent (no more than two single-spaced pages) of 
the candidate’s in applying for the fellowship

• Offprints/Reprints in PDF format of publications and lectures

• Two letters of recommendation from conservation professionals familiar with 
the candidate’s work and one letter of personal reference (emailed directly to 
the address below) 

File naming convention for submissions:

Last Name_First Name_Document type (e.g., Transcripts) _Date (Year-Month-Day)

Formal applications and supporting materials must be submitted in PDF format by 
email to [email protected] <[email protected]> and arrive at the National Gallery no 
later than January 17, 2026. Applicants will be notified of the decision by the 
end of February 2026. 

The fellowship may begin on or after September 21, 2026 and will end September 
29, 2029. 



For inquiries, please contact:

Tyrese Davis, Conservation Administrator

[email protected]

The National Gallery of Art serves the nation by welcoming all people to 
explore and experience art, creativity, and our shared humanity.


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Margaret Wessling
Senior Photograph Conservator
National Gallery of Art, Washington DC
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2.From: Sarah Benrubi
 Posted: Sunday November 16, 2025  10:38 AM
 Subject: RE: Recommendations for Re-gilding Techniques for Porcelain?
 Message: Dear Halina,
For gilding on porcelain different techniek are possible, depending of the 
shining effect you need and how large is the area to be gilded.- for fine line 
dcoration, the easiest is probably to use 3H oil size (type Lefrancq et 
Bourgeois), just a little quantity, well stretched (not thick!). When it is 
almost dry, but still a bit sticky, you can apply gold powder. Then it is 
possible to burdish it with an agate stone through a fine Melinex film.
- if you want to use a water base size similar to KT5 Kolner, it is better to 
use gold leaf (free or transfert). Apply the diluted solution, then leave it to 
dry. When it is just dry you can apply the leaf on it and simply press gently 
with a cotton swab for a shining effect.
Diluted Acrylic base is less resistant than oil size. Oil size is easy for 
small areas but you need gold powder. The surface which needs to be gilded has 
to be perfect and resistant. The shining effect will depend on the rigidity of 
the surface.
Sarah BenrubiCeramic and Glass conservation departmentENSAV La Cambre Brussels


-- 
Conservation-restauration doeuvres dart
Cramique et verre
rue Charles Meert, 50
1030 Bruxelles
www.benrubi-restauration.com <http://www.benrubi-restauration.com>
 <http://www.benrubi-restauration.com>[email protected] 
<[email protected]>
T: +32(0)495.22.01.63 
TVA: BE0882.051.979



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Original Message:
Sent: 11/13/2025 2:20:00 PM
From: Halina Piasecki
Subject: Recommendations for Re-gilding Techniques for Porcelain?


Hi there,


I am currently working on a partially gilded Meissen tea caddy at the Cooper 
Hewitt with discrete areas of loss and abrasion to the gilded borders. I'm 
wondering if anyone has had any success with techniques for re-gilding as loss 
compensation on porcelain that they would be willing to share. I have made some 
porcelain mockups for testing specifically for this project, and I plan to 
share the results of these tests after the project is complete. If you have any 
suggestions these will be credited to you in the write-up. Thanks so much in 
advance for your help with this!





Halina Piasecki


Graduate Fellow, Cooper Hewitt Smithsonian Design Museum


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Halina Piasecki
Graduate Fellow (Class of 2026)
Conservation Center of the Institute of Fine Arts, NYU
New York
United States
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