To anyone.

On Mon, Mar 5, 2018 at 1:02 PM, Jerome Chang <[email protected]> wrote:

> Hi. Is that “spend” question to me or...?
>
> Jerome
>
> On Mar 5, 2018, at 8:32 AM, Jen Luby <[email protected]> wrote:
>
> A follow up question: How much did you guys spend, and how big is your
> space?
>
> On Sat, Mar 3, 2018 at 11:03 AM, Jerome Chang <[email protected]>
> wrote:
>
>> Hi.
>>
>> Another alternative is to use fluorescent lights, or their LED
>> equivalents, as Liz mentioned. I find them quite good to provide a general,
>> “ambient” light for the entire office. I had assumed that track lights
>> would cause some hot/cold spots, but it seems that even if they were to do
>> so, some people still prefer them in an office space setting.
>>
>> It’s creative to point these track lights against a wall or ceiling,
>> making them indirect lighting. However, I wonder if that effectively makes
>> them perform inefficiently...which then leads me back to fluorescent lights
>> that point down, but in an ambient not-hot/cold way.
>>
>> Different people do respond differently with 3500-4200K lights (btw, K =
>> Kelvin temperature), so it can be hit/miss. Above this range are usually
>> for clinical/hospital or warehouse environments; below for intimate,
>> residential or hospitality environments.
>>
>> Another spec to notice is CRI, which is color rendering index. Basically,
>> anything higher than 90 will allow you to see an object in its true color.
>> Sometimes you can have the right Kelvin temp, but a bad CRI...no good.
>>
>> I’ve found LED lights range from about $150-$300+ for 4-foot length
>> fixtures. If you get an 8’ length, you’ll spend less $ per lineal foot.
>>
>> As for designing lights in the office to be as comfortable as at home, I
>> do want to clarify the reason that office lights are typically “whiter”
>> than at home, which are typically “yellower,” is that you’re usually at
>> home in the early part of the day, or evenings, both of which the sun is
>> more yellow. You also associate homes during these times more for relaxing.
>> Offices are usually occupied in the daytime and for work, hence the
>> brighter and often whiter lighting. No choices are actually wrong - it can
>> often be a matter of personal taste.
>>
>> For proof that fluorescent lights can look good, see here:
>> https://flickr.com/photos/27479309@N03/sets/72157627309965154
>> In this case, I mixed daylight and fluorescents. Also, this space was
>> designed before Title 24 regulations required LED’s.
>>
>> Finally, some might read these posts and interpret that LED’s are
>> optional - it’s a good point that they’re worth the upfront costs to avoid
>> any future operating/replacement costs. BUT, in some areas like California,
>> they’re required to comply to Title 24 regulations, not optional, for
>> nearly all cases. FYI.
>>
>>
>> Jerome Chang
>> Architect, founder
>> www.BLANKSPACES.com
>>
>> On Mar 1, 2018, at 10:55 AM, Alex Hillman <[email protected]>
>> wrote:
>>
>> Alrighty, here goes. This is going to cover a lot of what I learned, and
>> how we got lighting results we're really happy with.
>>
>> Again, it's basically impossible to give direct advice on how YOU should
>> budget without seeing the floorplans and even photos of the space itself.
>>
>> But here's what we did:
>>
>> These numbers are rough, but if I reverse engineer our lighting budget
>> from the overall project fit-out....
>>
>> - We spent ~$7.50 per square foot on *all* of our electrical work, which
>> was almost entirely brand new (new wiring, power sockets, breaker panels,
>> lighting fixtures, switches....everything with power running through it was
>> basically brand new.
>> - Approx 25% of the electrical budget was lighting *fixtures**. *That
>> included tracks + LED track heads as our primary light source, accent
>> lighting, and special fixtures for inside our meeting rooms. So roughly
>> $1.80/square foot on light fixtures alone (this doesn't include
>> installation, wiring, switches, etc). YMMV, of course, but stacking this
>> number against other lighting upgrade projects I've seen and done...it
>> seems about right, plus/minus 10%.
>>
>> *Keep in mind, that's with all LED fixtures, which are often appear 2-3x
>> more $$$ up front but save a boatload in energy costs and you basically
>> never need to buy another bulb (which, in our old space, we spent several
>> hundred dollars a year on replacement bulbs for various non LED fixtures). *
>>
>> Now, I had a really hard time getting useful advice from folks who had
>> lots of experience with lighting for "traditional" offices. It seems like
>> lighting design for workspaces tends to be based around two assumptions:
>>
>> 1 - brighter is always better
>> 2 - desks and workspaces are bolted down and won't ever change location
>>
>> As a result, I kept noticing lighting design that was both inflexible,
>> and gave off what I can only describe as "office vibes." I'd never light my
>> home the way these offices are lit. Our goal is always to create spaces
>> that feel as *comfortable* as working from home...but are more
>> productive.
>>
>> The *best* design advice I got was from someone whose primary experience
>> wasn't office lighting design...but *theater* lighting design. He was
>> someone who really thought about how lighting impacts moods, how people
>> move through space, etc. He also had a lot of experience adapting this
>> knowledge to creative lighting installations, etc. He totally understood
>> what I was trying to achieve in terms of a lighting *experience* and
>> that we still needed lighting that would be good for working under.
>>
>> On the downside...he ended up being a pretty shitty, unreliable business
>> person, so I can't confidently recommend him. But his lighting advice was
>> really good. :)
>>
>> To maximize flexibility, the bulk of our primary lighting source are a
>> standard (white, in our case) 3 wire "h-style" track system, which we laid
>> out like this
>> <https://mltrk.io/link/https%3A%2F%2Fdangerouslyawesome.com%2Fsnaps%2FMonosnap_2018-03-01_13-02-36.png/8EHgnTaiJeihZ2wZCvqd>.
>> The diagram is a little tough to understand at if you don't know what
>> you're  looking at, and there's one important piece that's missing
>> entirely, so here's the gist of our strategy:
>>
>> - We wanted to make it easy to turn all of the primary lights on/off
>> without having to walk across the entire space (our old location had lights
>> all over the place, turning them all on/off took a solid 5 mins of walking
>> around the space).
>> - We broke the tracks into "clusters" that would light each of the
>> primary work areas, and allow us to flexibly move the track heads around
>> - EVERYTHING ON DIMMERS. Some people like working in low light. Others
>> like it bright. Give yourself options.
>> - We used clusters of 3-5 white frosted glass pendant lights as "accent"
>> lighting in corners and other areas that were likely to be cozy little
>> lounge or breakout areas, like this
>> <https://mltrk.io/link/https%3A%2F%2Fdangerouslyawesome.com%2Fsnaps%2FIMG_9679.JPG/8EHgnTaiJeihZ2wZCvqd>
>> .
>> - We found this incredible fixture
>> <https://mltrk.io/link/https%3A%2F%2Finlity.en.alibaba.com%2Fproduct%2F60286423852-802892397%2Fgood_design_ultrathin_pendant_lights.html/8EHgnTaiJeihZ2wZCvqd>
>>  for
>> inside our meeting rooms, phone rooms, really any room that was going to
>> have a closed door on it. It's sleek, throws *really* nice light in all
>> directions, and is easy to mount either nearly flush with a ceiling or, if
>> you have the height to support it, suspended at a comfortable height. We
>> get a ton of compliments on these fixtures. They're also only ~$120 US a
>> piece. The only downside (and it's a big one) is you have to order them in
>> minimum of 10 units, and they're coming directly from a supplier in China
>> so it's going to take a few weeks minimum AND shipping can get expensive.
>> Thankfully, I was ordering enough (and early enough) to make it worthwhile.
>> - Our original fit out used a direct-from-china track head as well, and I
>> like them just fine, but when we expanded we couldn't get more of the
>> fixtures so I had to look elsewhere and ended up finding a great
>> dimmable LED track fixture
>> <https://mltrk.io/link/https%3A%2F%2Fwww.totaltracklighting.com%2Fmaximus-led-track-light-white-cone-line-voltage-fixture-head-12watt-wide-flood-3-wire-h-style-dimmable.html/8EHgnTaiJeihZ2wZCvqd>
>> that, even with domestic shipping, cut our per-fixture cost *in half (*from
>> ~$60/head to around $30).
>> - When choosing color temperatures, I tried to get fixtures that were on
>> the cool end of warm, more like residential bulbs. 3000k-3500k tended to
>> give the best color, more feeling like natural sunlight without being too
>> "glowy." 4k seems to be more "popular" in office settings but in our tests
>> it always felt too cold and sharp. At the same time, I learned that these
>> numbers aren't super consistent across manufacturers. When possible, try to
>> get sample fixtures and test them in the real setting, mixed with whatever
>> natural light you're working with.
>>
>> *The big thing that's not obvious about the lighting plan is that over
>> half of our tracks are actually turned upside down, and point the fixture
>> at the ceiling. *
>>
>> Originally, we installed all of our track heads the way you're used to
>> seeing them: pointed down and at an angle. The trouble we hadn't calculated
>> was how often a light would end up pointed directly in somebody's face. We
>> tried tweaking track positions, but avoiding one person's eyes almost
>> always meant pointing them into someone else's eyes.
>>
>> *The other problem was that - and this might sound obvious but bear with
>> me - lights work best when they have something to reflect off of. *
>>
>> The "shadow" problems you mentioned are a symptom of direct lighting,
>> something we generally were trying to avoid because it's harsh (especially
>> with glossy computer screens). We wanted the space to appear bright, but
>> without work areas (desks, etc) feeling like they were under a spotlight.
>>
>> We tried filters and gels, too, but the most effective technique was to
>> make sure that our track fixtures were directed at a nearby surface: a
>> wall, a column, a beam, ductwork...any surface that would help distribute
>> the light to the surrounding areas. Like this example, in our gallery
>> space
>> <https://mltrk.io/link/https%3A%2F%2Fdangerouslyawesome.com%2Fsnaps%2FIMG_4063.JPG/8EHgnTaiJeihZ2wZCvqd>.
>> By pointing fixtures at the walls, the surrounding areas are cast in a very
>> comfortable indirect light. That seems to be the key.
>>
>> The *trouble* we ran into with our space was that in so much of our
>> space, the "walls" are just our windows to the outside world. They're great
>> for letting natural light in, but pointing lights at them was horrible.
>> They'd just shine the direct light back into someone's eyes, and do very
>> little to actually light the space.
>>
>> So in the rest of the space, we decided to flip the tracks upside down so
>> we could point the fixtures at our ceiling. Like this
>> <https://mltrk.io/link/https%3A%2F%2Fdangerouslyawesome.com%2Fsnaps%2FIMG_2194.JPG/8EHgnTaiJeihZ2wZCvqd>
>> .
>>
>> By treating our ceiling like another wall (we'd already painted it a
>> bright color to reflect the natural light), and now we're able to get the
>> same general effect of LOTS of bright but soft, indirect lighting covering
>> almost every area of workspace. Nobody has to work under a spotlight.
>> Success.
>>
>> When we expanded our space in October, we took the same approach of
>> flipping the tracks from the start. The electricians looked at us a little
>> funny when I asked for it, but after it was in even they commented how nice
>> it looked.
>>
>> Whew. That's a lot, and kind of all over the place. But hopefully it
>> helps you think through the decisions you need to make, which will include:
>>
>> 1 - how to light for experience, not just function
>> 2 - how to "layer" different fixtures to help indicate zones and uses
>> 3 - making use of your existing tracks (or adding more of them to give
>> you max flexibility)
>> 4 - choosing fixtures, and finding ways to save $$
>> 5 - using your constraints
>>
>> If I can help more one-on-one, feel free to shoot me an email. :)
>>
>> -Alex
>>
>>
>>
>>
>>
>>
>> ------------------
>> *The #1 mistake in community building is doing it by yourself.*
>> Better Coworkers: http://indyhall.org
>> Weekly Coworking Tips: http://coworkingweekly.com
>> My Audiobook: https://theindyhallway.com/ten
>>
>> On Wed, Feb 28, 2018 at 6:41 PM, Alex Hillman <
>> [email protected]> wrote:
>>
>>> Jen - it'd also help to get an idea of what you're working with. Can you
>>> post a floorplan? Even better, a plan that shows where existing lights are?
>>>
>>> On Feb 28, 2018, 6:29 PM -0500, Jen Luby <[email protected]>, wrote:
>>>
>>> Hey all, my landlord is asking for a lighting plan so he can get a
>>> sense of budget for the buildout...but this is not my forte. What kind of
>>> lights do you guys use in a) open work areas and b) private offices?
>>> Currently there are a ton of track lights installed (it's a former gallery
>>> space) but from what I've read those can cast unpleasant shadows.
>>>
>>> (Alex, I put you in the subject because I think you worked on this for
>>> Indy Hall, although I didn't find any previous posts about. My apologies if
>>> I'm wrong.)
>>>
>>> Thanks!
>>> Jen Luby
>>>
>>> Dayhouse Coworking
>>> Highland Park, IL
>>>
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>
>
>
> --
> --------------------------------
> Jennifer Dunham Luby
> [email protected]
> c: 847.207.0358 <(847)%20207-0358>
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[email protected]
c: 847.207.0358

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