This thread is fascinating to me. Are there resources out there for
those who want to learn a more technical approach to editing with
Darktable. As has been mentioned elsewhere, the manual kind of presents
modules in isolation eg the base curve docs don't come with a warning -
well maybe a hint in the tip at the end.

I am using 2.7 built from source with base curve turned off but still
tend to use filmic a bit by the seat of the pants.

Keep up the good work peeps.


On 5/28/19 2:01 AM, Aurélien Pierre wrote:
>
> Sure, there are people who want to fight the theory of signal
> processing to complain about the consequences, and people who do the
> right thing at the right time in the pixelpipe. Surprisingly, the
> latter get better results faster.
>
> Filmic is simple to use if you understand what exposure means in the
> scene-referred space and in the display-referred space. It just remaps
> scene-referred exposure (in ]0 ; + inf[) to display-referred one (in
> [0.0 ; 1.0]), by letting users control what is considered white, black
> and grey in the picture, and to what values they should be mapped on
> the display. But it does so at the end of the pipe, leaving your
> pixelpipe linear before, to preserve the consistency of every
> physically-bounded filter :
>
>   * blur == optical diffusion -> needs linearity,
>   * denoising == gradient smoothing -> needs linearity,
>   * color profile == linear algebra -> needs linearity,
>   * etc.
>
> Base curves do exactly the same (look at the shape of the curves… S
> curves with raised mid-tones), but too early in the pipe, and with
> pre-baked curves done by reverse-engineering raw->JPEG conversion from
> cameras manufacturers. Thus, you cross the non-linearity wall too
> early in the pipe, and get a one-size-fits-all look. No matter how you
> put it, call it different retouching approaches or masochism, it's
> wrong. I don't care about opinions or styles, this is signal
> processing, not democracy.
>
> Why ? Because photons live on a linear scale of energy, and
> good-looking filters do nothing but simulate numerically on RGB
> channels what would/should have happened on photons in real life. So,
> blurring, sharpening, masking and denoising need scene-linear RGB code
> values. Whereas every tone/base-curve (including filmic) is raising
> the mid-tones and adding more contrast (S curve) to reproduce our
> logarithmic scale of *perceived* energy. You go from scene-linear to
> perceptual space with a logarithm, so you rescale the gradients of
> energy (EVs are a log scale, perceptually uniform).
>
> Once you have crossed that wall of non-linearity, you can kiss your
> color accuracy good-bye if you try to apply physically-bounded filters
> in a perceptual space. That's exactly what people see with the "wrong
> profiles" inconsistencies in this thread. The profiles are not faulty
> here, proof is made by using dcraw with the same matrices. But the
> input profiles are applied *after* the base curve in the pipe, which
> was a design mistake in the first place because you are applying a
> matrice profile expecting scene-linear input on perceptually-encoded
> data.
>
> As of now, I will stop answering messages from people complaining
> about color artifacts while using base curves. They are asking for
> trouble, they get it. I have offered an alternative, if people don't
> want to listen, it's not my problem.
>
> Le 28/05/2019 à 10:04, François Tissandier a écrit :
>> The base curve can be still used with the standard one instead of the
>> camera one, colours are quite fine then. I was doing that before the
>> arrival of filmic. So the base curve can be kept. And indeed it's
>> good to have the choice. 
>>
>> Le mar. 28 mai 2019 à 10:00, Florian W <flo.wern...@gmail.com
>> <mailto:flo.wern...@gmail.com>> a écrit :
>>
>>     Not everyone has the same approach of digital development (eg.
>>     Film like response vs more creative curve editing, with its
>>     disadvantages) and one of the strong advantage of Darktable is
>>     allowing all these use cases. Starting a war about this won't get
>>     us anywhere in the issue at hand here.
>>
>>
>>     Le mar. 28 mai 2019 09:33, Aurélien Pierre
>>     <rese...@aurelienpierre.com <mailto:rese...@aurelienpierre.com>>
>>     a écrit :
>>
>>         For the last time :
>>
>>             *BASE CURVES ARE EVIL, CRAP, GARBAGE, NO-GO, DON'T TOUCH,
>>             BIO HAZARD, KEEP AWAY, HUN HUN, SURVIVORS WILL BE SHOT
>>             AGAIN.*
>>
>>         I wouldn't have taken 2 months of my life to develop filmic
>>         if base curves had worked as expected. Base curves are a
>>         broken design and will always destroy colors. I have repeated
>>         that multiple times in the past years, it would be great if
>>         people started to listen.
>>
>>         In darktable 2.8, there will be a global preference to have
>>         the base curves disabled by default because they really harm,
>>         especially for the newest HDR cameras. Until then, the first
>>         thing you need to do while opening a raw picture is to
>>         disable that god-forsaken module manually.
>>
>>         Thanks for confirming it has nothing to do with matrices
>>         though. That means everything works as expected.
>>
>>         Aurélien.
>>
>>         Le 28/05/2019 à 09:00, Florian Hühn a écrit :
>>>
>>>
>>>             If RawTherapee is really using the same matrices, it
>>>             would be interesting to find out what's being done
>>>             differently (or additionally)...
>>>
>>>         RawTherapee uses dcraw for import. I took the  A7RIII
>>>         testchart raw and ran it through  'dcraw -v -w -o 1 -T
>>>         DSC00157.ARW', then imported the .ARW and the TIFF created
>>>         by dcraw into DarkTable. The TIFF lokes more natural to me.
>>>         Especially the skin color of the guy on the right looks
>>>         somehow a bit yellowish / ill in the .ARW but more natural
>>>         in the TIFF from dcraw.
>>>         BUT: When importing the TIFF no base curve is applied. When
>>>         I disable base curve on the .ARW and instead use levels and
>>>         tone curve manually i can get a look that is closer to the
>>>         TIFF (i.e. the dcraw variant).
>>>         Maybe it comes down to different default settings in
>>>         DarkTable importing vs. dcraw. At some point I'd like to
>>>         double-check that the matrix calculations done by DT are
>>>         indeed carried out as intended, but so far I didn't find a
>>>         way to artificially create a raw-file for this purpose.
>>>
>>>
>>>         
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>>         
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